The Egyptian Goddess Isis, Found in India

The Egyptian Goddess Isis, Found in India


One of the great, largely untold adventure stories of late antiquity is the journey to the East, from Egypt’s Red Sea ports, across the open ocean for 40 days and 40 nights, to the legendary entrepôt of Musiris, on India’s southwestern or Malabar coast, in what is now modern state of Kerala. This was a great feat of navigation, a technological leap forward comparable to the discovery of the Americas or Francis Drake’s circumnavigation of the globe.

Mysterious Musiris

This maritime trade reached a peak during the time of Jesus, necessitating the construction of a small Greco-Roman merchant colony to manage the extensive trade between India and the Roman Empire. This colony was sufficiently large to justify the building of a Roman temple, which is clearly shown on ancient maps. The precise location of Musiris has hitherto been one of the secrets of the classical world.

Detail from Tabula Peutingeriana, source: Annalina Levi and Mario Levi.

Detail from Tabula Peutingeriana, source: Annalina Levi and Mario Levi. Itineraria picta: Contributo allo studio della Tabula Peutingeriana (Rome: Bretschneider) 1967. Schematic representation of India with Roman temple shown.

Inset of map Tabula Peutingeriana showing Roman temple.

Inset of map Tabula Peutingeriana showing Roman temple.

Religion is the strange cargo of maritime trade. This area of India is very cosmopolitan. It was the port of disembarkation for Christians, Jews, Muslims and other Near Eastern peoples, who still have a significant presence in India. The Egyptian goddess Isis is famously the patroness of the sea, the protector of mariners. The Greek captains of the Roman trade galleons undoubtedly worshiped her.

Image of Isis Pelagia “Isis of the Sea” on a Roman coin. Forchner G (1988) Die Münzen der Römischen Kaiser in Alexandrien, Frankfurt.

Image of Isis Pelagia “Isis of the Sea” on a Roman coin. Forchner G (1988) Die Münzen der Römischen Kaiser in Alexandrien, Frankfurt. (

Roman Isis holding a sistrum and oinochoe and wearing a garment tied with a characteristic knot, from the time of Hadrian (117–138 AD).

Roman Isis holding a sistrum and oinochoe and wearing a garment tied with a characteristic knot, from the time of Hadrian (117–138 AD). ( Public Domain )

The revealing of the goddess Isis in Indian culture is the combined work of several eminent scholars. Initially it was the identification of Pattini as a veiled goddess, the only one in Hindu mythology, that led scholars such as Dr Richard Fynes to hypothesize a Near Eastern connection. Actually Isis was not veiled throughout most of her history but she was when her cult was transferred to India.

The late Professor Kamil Zvelebil also revealed much about the maritime trade between the ancient Near East and South India. My research for Isis, Goddess of Egypt & India , further exposed the similarities between the classical mystery cult and the mythology of the Buddhist/Jaina goddess Pattini.

Distinguished Princeton anthropologist Gunanath Obeyesekere undertook extensive fieldwork, recording the folk songs and myths of the region. Almost immediately he recognized how they almost all contained a mythology, unique in India, in which a dead god is resurrected by the magical power of his veiled goddess wife.

Isis, and the Resurrection of Osiris

The Egyptian version of this myth concerns the internecine struggle for power within its most prominent divine family. These are the five famous children of Sky-mother Nuit and Earth-father Geb viz: Isis, Osiris, Seth, Nephthys and Horus.  Like Biblical Cain and Abel, Seth kills his brother Osiris in a jealous rage then dismembers and hides his body. Because Osiris has no adult successor, his brother Seth can take his throne. In the drama, Isis searches for and eventually finds the decayed body of her dead husband. She revives Osiris, which gives us the archetypal and earliest version of the myth of the dying and resurrecting god.

Isis depicted in Egypt with outstretched wings (wall painting, c. 1360 BC)

Isis depicted in Egypt with outstretched wings (wall painting, c. 1360 BC) ( Public Domain )

But the reward of her work does not last, the Resurrection of Osiris is a temporary respite, just enough time for the couple to engender a magical son who will eventually grow, protected by his mother, to avenge his father and take his rightful role on the throne of Egypt.

Isis nursing Horus (Louvre).

Isis nursing Horus (Louvre). ( CC BY-SA 1.0 )

Now consider this traditional song, recorded by Obeyesekere. It is derived from Tamil Nadu’s national epic poem, the Shilappattikaram: the tale of the Anklet:

“She created an ambrosia pond,
Wetted the [veil] with its water,
Placed a hand on Palanga’s head,
And told him to get up.
As if lying in a bed,
Deep in cool sleep,
By the influence of Pattini,
The Prince rose joyous.”

Kannagi is the central figure of the epic Silapathikaram and is worshiped as goddess Pattini in Sri Lanka. Statue in Marina Beach, Chennai.

Kannagi is the central figure of the epic  Silapathikaram and is worshiped as goddess Pattini in Sri Lanka. Statue in Marina Beach, Chennai. ( CC BY 2.0 )

The Secret Chamber

The cult of Pattini has long been moribund in India, although she is still the guardian deity of Sri Lanka. If she ever had a shrine at Musiris, it would long ago have been taken over by Hindu deities such as Shiva or Kali. Now it just so happens that a temple, with an appropriately strange history, does exist close to the hypothetical location of Musiris. This is Kurumbha-Devi temple, outside of Cochin, Kerala.

Kurumbha-Devi temple.

Kurumbha-Devi temple. (Google Earth)

In a remarkable document, V T Induchudan, a scholarly Brahmins who serves at the temple, published its secrets in a suitably named monograph called “The Secret Chamber”.

Kurumbha-Devi temple.

Kurumbha-Devi temple. (Plan)

This temple, with its pyramidal, high gabled, red tile roofs, is very reminiscent of Roman and Egyptian architecture. It is built on ancient foundations and has the remains of a secret underground shrine, which it seems was originally dedicated to a mystery cult, undoubtedly that of Isis-Pattini.

A long underground tunnel leads to the secret chamber. This tunnel is orientated west-east, its entrance guarded by the houses of people called “Atikals” (more about them shortly). From the secret chamber a candidate could follow the path of the sun from dusk to dawn, precisely as was done in the mystery cult of Isis.

To give some idea of the magical aura still believed connected with this room, Induchudan records how a carpenter tasked with repairing the roof was struck blind after he accidentally glanced inside! Although nowadays access is denied, the sealed underground room still benefits from devotions, which reach a special intensity during the annual Bharani festival, which even by Indian standards is extremely unorthodox.

Possible image of Pattini from pillar inside the temple.

Possible image of Pattini from pillar inside the temple. (source V T Induchudan)

The Worshippers of Isis-Pattini

You might be curious to learn what might have happened to the original worshippers of Isis-Pattini. Did they survive, did they become Buddhists, did they, when Hinduism took over in these parts, again convert?

To find them one must look at the Bharani festival, which marks the beginning of the hot summer before the coming of the monsoon rains. Coincidentally, this was also the time in Egypt and elsewhere in the classical world when rites of Isis were performed to open the sea for trade. Central to this Bharani festival is the mysterious society of Atikals.

Atikal is a very ancient word. Originally it meant ‘notable’, then it was used to designate (Jaina) saints, until finally it came to mean ‘ex- or degraded Brahmin’. Despite being non-Brahmins and therefore not entitled to officiate at Hindu rites, Atikals, in effect, own the temple and are allowed to return each year for one month, in which they conduct their own secret rites culminating in 12 hours of ‘misrule’.

Hundreds of thousands of devotees also appear from all over Kerala. Press reports speak of a crush that in one year reached 500,000 visitors. Some of these special religious societies circumambulate the temple, racing in Gnostic frenzy, often bleeding from self-inflicted wounds. Cries of “Amme! Amme! Mother! Mother!” ring out alongside scandalous songs.

The velichappadu photographed by Challiyil Eswaramangalath Pavithran Vipin.

The velichappadu photographed by Challiyil Eswaramangalath Pavithran Vipin. ( CC BY-SA 2.0 )

This Kurumbha-Devi temple is one of several which have provable links with the Ancient Near East. In the Pattini version of the myth, Isis makes a long trek in search of her missing husband. Her journey of several days winds its way from their home in Vanci, through the deep forest to Madurai. Here she learns of the death of her husband, Palanga, and becomes so enraged that she sets fire to most of the city.

Even today, on a remote tiger reserve in the beautiful Periyar forest, there is a lonely, abandoned shrine. It must commemorate the place where Pattini is said to have camped on her journey. Why else would such a remote location have such a shrine? Every year, the forest rangers allow thousands of pilgrims to visit and conduct, albeit on a lesser scale, rites related to those already described.

© Chris Morgan, Oxford 2016

Chris Morgan i s a respected independent scholar, former Wellcome student, and holder of an advanced degree in Oriental Studies from University of Oxford. He is the author of several books on Egypt, specializing in folk religion, ritual calendars and the “archaeological memory” encoded in the religions of post pharaonic Egypt.  He is also an Indologist, interested in the philosophy and technology of India, especially Ayurvedic medicine, and folk magic traditions. His latest book is Isis: Goddess of Egypt & India .”

Featured image: Rare sample of Egyptian terra cotta sculpture, could be Isis mourning Osiris, (raising her right arm over her head, a typical mourning sign). ( Public Domain )

By Chris Morgan


Richard Fynes whose article: “Isis and Pattini: The Transmission of a Religious Idea from Roman Egypt to India”, JRAS Series 3.3.3. 1993: 383)

V T Induchudan., The Secret Chamber: a historical anthropological and philosophical study of the Kodungallur Temple , [Trichur: Cochin Devasan Board.] (1969

Chris Morgan, Isis, Goddess of Egypt & India (Mandrake 2016)

Gunanath Obeyesekere, The Cult of the Goddess Pattini (Chicago 1984: 245-273)

Kamil Zvelebil, Hippalos: The Conquest of the Indian Ocean (Mandrake 2007)


The one statue pictured looks eerily similar to an alleged dead alien woman referred to as, "Mona Lisa", that was believed to have been found in an ancient crashed space ship on the moon during a covert U.S. space mission to explore the vessel. This was allegedly the rumored, "Apollo 20" Mission from 1972. The video and pics are on the internet and are part of the would be "conspiracy theories" that many believe. The fact that this one statue seems so close in appearance to the one in the video is eerie and remarkable. Was this statue or another image like it known about back in 1972 or is it just a coincidence that an alleged film shows a person apparently of the same race and characteristics as this statue??

I heard somewhere that a queen from Egypt came with men in search of the home of their Gods where animals and plants only seen in India is available.
The region was called as punt or something ​by the Egyptians . Only after that trade was taken place through seas. Before that trade took place with Mesopotamia or something as a medium.
( Ancient India-Mesopatomia-Egypt). After the Egyptians knew about a country that has plants and animals similar to that of the lands of their Gods the Queen decided to go on an adventure to the mysterious land of Gods.
The Egyptians were actually Indian family who were thrown out from the land for killing some important man(might be a king) . According to south Indian tradition If they marry a princess to a prince they will present a village for the prince as gift (that was the base for dowry system) . So when they were thrown out the people of the village should follow them. (That might be the reason for similarities in caste system in Indan and Egyptian land). As their people moved out the Gods followed them (similarities in animal headed gods and winged Gods).

The woman referred in Tholkaappiyam is Kannagi. She was titled Pathini after she burned down the capital city of the Pandyas. She became powerful because of the love she had for husband that is why she was titled Pathini. More importantly she was born in the Chera kingdom and travelled to Chola and Pandya kingdom. The Pandya king ordered the soldiers to bring him (kondu vaa) but the soldiers misunderstood the word as (kondru vaa) and killed her husband. That was accidental. She is also worshipped in Srilanka.

Chris Morgan's picture

You’re actually agreeing and disagreeing with me at the same time! From your own account there was trade between South India and the West; this conduit flows both ways, hence the Roman and other archaeological finds in the area. It is true that Pattini might be derived from “Patni” meaning loyal wife, but this offers no contradiction to the parallels with the Isis myth, where she is also the archetypal loyal wife and mater dolorosa. A fairly non contentious example of western ideas present in Indian culture, consider astrology, which is pretty much the Greek version transcribed into Sanskrit. I discuss all this and more in the book. Interestingly Gunanath Obeyesekere, whose accounts of local folklore i used a lot in my research, also thought that it was used in a special sense as a supernatural being called “a Pattini”.

The author is making a mistake of looking through a colored glass. He is basically seeing what he wants to see with his limited knowledge. His superimposition of Egyptian beliefs on ancient South Indian culture and beliefs is laughable. The Dravidian civilization is as old as the Egyptian civilization. It had written rules of grammar (Tolkappiam, Nanool), plethora of Sangam just quote a few. The Sangam literature has survived even to this day. Though the script has changed, the Tamil language is still spoken by many and its ancient compositions can be understood even today. The Dravidian kingdoms (Pandiyas, Cheras, Cholas) conducted trade by sea routes both in the West (Roman empire) and in the East (Cambodia, Indonesia, Burma). There are both archaeological as well as literary evidences to it. Where do you think the Arab numerals came from? So, there is nothing surprising about finding trade settlements in Musiris.

The term "Pattini" is a Tamil term for "faithful wife." The epic "Silapadikaram" written by Illango Adigal speaks about one such dutiful wife called "Kanagi", who was married to a tradesman named "Kovalan." Because of his misdeeds, he looses the family fortunes and ultimately, looses his life after being accused of stealing queens anklets. Kanagi stood by her husband through all his travails. When she learns that her husband was wrongly put to death, she burns the city of Madurai by throwing her anklet (kart silambu) down and breaking it to reveal manikka kartkal (precious stones). The queens anklets were made up of semi-precious of inferior quality. You can see her statue holding her anklet in the picture shown above. Kovalan is not brought back to life. It is rather, Kanagi, who leaves this world and joins her husband in the spirtual realm. The literature tells us that the purity and faithfulness of Kanagi gave her the godly power to destroy the whole city. Thus, she became venerated in the eyes of all women. They built temples for her, extolling her values. This tradition has got nothing to do with Isis.

If the author is sincere in his attempt to learn ancient South Indian religious practises and customs, he may do well to start with fresh eyes and speak with knowledgeable historians of Southern India.


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