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‘L’enlèvement de Proserpine’ (The Rape of Proserpine) (circa 1636) by Peter Paul Rubens.

The Rape of a Goddess: How Demeter Beat the All-Powerful Zeus

Who were Demeter and Persephone? And why did their myth resonate so strongly with women of ancient Greece?

The story of Demeter, goddess of the harvest, and her daughter Persephone, queen of the underworld, has inspired many. And while there are twenty-two variations of the myth, it is the Homeric Hymn to Demeter (hereafter called the Hymn), composed between 650-550 BC, that is believed to be one of the oldest.

The Homeric Hymn to Demeter

However, the episode beforehand is as important as the story itself. It starts with Zeus, lord of the gods, who rapes his sister Demeter, and the product of that rape is Persephone. They never married. Indeed, Zeus would have been the husband to hundreds if he married everyone he raped.

Demeter. Marble, Roman copy after a Greek original from the 4th century BC. (Public Domain)

Demeter. Marble, Roman copy after a Greek original from the 4th century BC. ( Public Domain )

The famous Hymn then begins with the reciting of Zeus’ agreement with Hades in regards to Persephone. To be sure, his being an absentee father did not stop Zeus from arranging the marriage of his daughter - unbeknownst to either her or her mother - to his brother—Hades, the lord of the underworld.

As a result, one day while Persephone was out picking flowers with her friends, the earth opened and Hades, on a horse drawn chariot, charged out violently, snatching Persephone to be his wife for all eternity in the underworld. Persephone shrieks, alerting Demeter to her peril.

‘The Rape of Proserpine’ (1621-1622) by Gian Lorenzo Bernini.

‘The Rape of Proserpine’ (1621-1622) by Gian Lorenzo Bernini. ( CC BY SA 4.0 )

Demeter Mourns and Takes Control

Inconsolable at the loss of her daughter, Demeter roams the earth in search of Persephone. No one, god nor mortal, has the courage to tell her what happened. Finally, through information gleaned by the pre-Olympian goddess Hecate, Demeter is informed of Persephone’s rape.

Upon discovering that Zeus made the perfidious bargain with Hades, Demeter withdraws from her residence on Mount Olympus, and instead makes her home in an agrarian community populated by mortals. A grand temple is built in Demeter’s honor with attendant rites to conciliate her spirit, but nothing appeases the grieving goddess.

It is at this point in the story that Demeter realizes her full strength. As a means of regaining her daughter from Hades, she exploits her power of fertility and stops the seasons. This turns the earth into a barren wasteland. Reluctant to see the planet he shepherds wither away, Zeus pleads with Demeter to make the earth abundant once again. But Demeter will not relent until Persephone is released.

‘Demeter Mourning for Persephone’ (circa 1906) by Evelyn De Morgan. (Public Domain)

‘Demeter Mourning for Persephone’ (circa 1906) by Evelyn De Morgan. ( Public Domain )

Finally, Zeus intercedes on Demeter’s behalf and orders Hades to return Persephone to her mother’s earthly domain. Ever obedient to Zeus, Hades adheres to his instruction but not until he lures Persephone into consuming a pomegranate seed. The mere act of eating in the underworld binds Persephone to Hades as his wife for a few months out of every year.

Reflecting Life for Women in Ancient Greece

So how did this parable of the kidnapped bride ring true for women living in ancient Greece?

Living under their husbands’ patriarchal thumbs, women were accustomed to being kept out of the loop regarding the matrimony of their daughters. As such, it was not unusual for a father to bargain with his future son-in-law about the fate of his daughter without the knowledge or consent of either his wife or daughter.

‘Reverie’ aka ‘In the Days of Sappho’ (1904) by John William Godward. (Public Domain)

‘Reverie’ aka ‘In the Days of Sappho’ (1904) by John William Godward. ( Public Domain )

As a girl was often torn from her natal home and forced to marry an unknown man who was—on average—twice or three times her senior, abduction can be seen as the equivalent of rape. After all, men were taking young girls to be their wives, that is to say, the begetters of their sons.

Furthermore, in patriarchal ancient Greece, marriage was virilocal. In other words, the young girls—most of whom were sixteen years of age or younger—were forced to reside in their new husband’s family home, which could be a great distance from their original home. This meant having contact with their own family members after their marriage was a rare occurrence.

Consequently, Demeter’s sense of powerlessness against the abduction, and the suffering that ensued at the loss of her daughter, could resonate for most women of ancient Greece.

Ancient Greek women.

Ancient Greek women. ( Public Domain )

Liberating Mothers

At its most fundamental level the Hymn is a story about a mother’s grief at the loss of her beloved daughter. Told from the perspective of the mother; it is more Demeter’s story than Persephone’s. At once powerless and inconsolable, Demeter appears more mortal than divine.

Initially Demeter is impotent to set things right. It is this sense of helplessness that sets off her sorrow at the loss of Persephone, mirroring the anguish that must have been felt by mortal mothers who lost their daughters to marriage each day. But it is Demeter who does something never seen before in Greek mythology - she dares to defy the will of Zeus. Moreover, not only does she live to tell the tale, but she very nearly wins the battle.

‘The Return of Persephone’ (1891) Frederic Leighton.

‘The Return of Persephone’ (1891) Frederic Leighton. ( Public Domain )

After all, for most of the year Persephone lives with her mother in the light of her mother’s earthly domain. Though life can never return to the way it was before the abduction, most mortal women could envy Demeter’s achievement. In this way, the Hymn was liberating for ancient women, an example of a mother’s triumph over all else.

Top Image: ‘L’enlèvement de Proserpine’ ( The Rape of Proserpine ) (circa 1636) by Peter Paul Rubens. Source: Public Domain

Classical Wisdom Limited is an online publishing company that strives to promote and preserve the classics from Ancient Greece and Rome. We aim to bring ancient wisdom to modern minds. You can visit our website here: http://classicalwisdom.com

By Mary E. Naples

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