Store Banner Desktop

Store Banner Mobile

Noh-Arashiyama by KOMPARU Zempo (Public Domain)

The Art Of Noh: 14th-Century Japanese Dance Drama

Getting your Trinity Audio player ready...

Since the 14th century AD, Noh has been a major form of classical Japanese dance-drama. It is the oldest major theatre art form that is still performed on a regular basis to this day. Noh, which is written in late-middle Japanese, incorporates masks, costumes, and various props in a dance-based performance. The masks represent roles such as ghosts, women, deities, and demons as the actors employ highly-stylized gestures to convey emotions. Each Noh performance requires advanced performance and technical abilities from its actors and musicians as it involves a complex combination of acting, dance, music, and other skills. Modern players are also required to be fluent in the language of the original scripts, which is an old version of the Japanese language familiar to us today. Not surprising, then, that in this context the kanji for Noh (能) means "skill," "craft," or "talent," particularly in the field of performing arts.

Lord Yoritomoku Watches a Noh Performance (Public Domain)

Lord Yoritomoku Watches a Noh Performance (Public Domain)

The Noh Stage

The traditional Noh stage is completely open, allowing the performers and audience to share an experience throughout the performance. With no proscenium or curtains to obstruct the view, the audience can see each actor even before and after they enter and exit the central stage. One of the most distinguishing features of a Noh stage is its independent roof which hangs over the stage even in indoor theaters. The roof, which is supported by four columns, represents the sanctity of the stage, and is inspired by the haiden (worship pavilion) or kagura-den (sacred dance pavilion) of Shinto shrines.  The Noh stage is entirely constructed of unfinished hinoki (Japanese cypress) with few decorative elements. The hashigakari ("suspension bridge"), a narrow bridge at upstage right used by actors to enter the stage, is another distinguishing feature of the stage. The bridge represents the mythic nature of Noh plays, which frequently feature otherworldly ghosts and spirits.

A demonstration of Mai-bayashi/Shimai at Dōgō Noh Stage in Dōgo Onsen, Matsuyama, Japan. (CC BY-SA 2.0)

A demonstration of Mai-bayashi/Shimai at Dōgō Noh Stage in Dōgo Onsen, Matsuyama, Japan. (CC BY-SA 2.0)

Masks Of The Greeks

For thousands of years, countless cultures, ethnic groups and faiths have worn masks. The stage has always been one of the most popular places to discover masks as it continues to play an important part in cultural norms, references, and historical relevance to this day, reflecting not only the emotion an actor is attempting to communicate, but also societal conventions and expectations.


Like this Preview and want to read on? You can! JOIN US THERE with easy, instant access ) and see what you’re missing!! All Premium articles are available in full, with immediate access.

For the price of a cup of coffee, you get this and all the other great benefits at Ancient Origins Premium. And - each time you support AO Premium, you support independent thought and writing.

Martini Fisher is an Ancient Historian and author of many books, including ”Time Maps: Gods, Kings and Prophets”  | Check out


Top Image: Noh-Arashiyama by KOMPARU Zempo (Public Domain)

By  Martini Fisher

MartiniF's picture


Martini Fisher comes from a family of history and culture buffs. She graduated from Macquarie University, Australia, with a degree in Ancient History. Although her interest in history is diverse, Martini is especially interested in  mythologies, folklores and ancient funerary... Read More

Next article