All  

Store Banner Mobile

Store Banner Mobile

Primary tabs

anand balaji's picture

Anand N. Balaji

Anand N. Balaji is an independent researcher who has a special interest in the Amarna era.

History

Member for
8 years 3 weeks
Opt-in to Ancient Origins Newsletter (AC): 
Yes

Posts

The ‘mourning scene’ on the East wall in the Royal Tomb at El-Amarna (TA 26B - Chamber gamma). Akhenaten is shown leading the royal family in grieving the death of Princess Meketaten, their second daughter, who stands inside a pavilion associated with childbirth. Julian Tuffs.

Challenges of Infant Mortality in Ancient Egypt: Amulets, Spells and the Divine—Part II

Among all the perils that the ancient Egyptians battled through their use of religion and magic, none came close to the poignant and desperate prayers they made to save the lives of their offspring...
Mother Love: Detail from a relief shows Pharaoh Seti I as a child sitting on the lap of goddess Isis. Her right arm is resting on his back while she gently caresses his face with her left hand. This scene can be found on the western wall of the Second Hypostyle Hall. Temple of Seti I, Abydos.

Challenges of Infant Mortality in Ancient Egypt: Disease, Death and Deliverance - Part I

Family came first in ancient Egypt. Be it the royal household or the commoner on the street, the bond between parents and their children was considered sacred. Right through the Old Kingdom period...
A stele from Heliopolis shows Akhenaten worshipping the Aten; design by Anand Balaji

Horemheb the Usurper: Monumental Oversight in a Project of Utter Destruction —Part II

(Read Part 1) By all counts, Horemheb was not only forced to remain subservient until the death of his immediate predecessor, Pharaoh Aye – a vizier-turned-ruler – but had faced a challenger in...
A limestone sculpture from the Temple of Amun in Thebes depicts Horemheb standing beside the state god; design by Anand Balaji

Horemheb the Usurper: Magical Potency and the Rough Road to the Throne—Part I

Usurpation of monuments and funerary goods occurred over much of ancient Egyptian history. Quite a few Pharaohs and nobles indulged in this practice—and far from our modern notion of greedy monarchs...
Bronze statuette of the funerary deity, Wepwawet; design by Anand Balaji

Wepwawet, Lord of Abydos and Champion of Royalty: Jubilees, Worship and Resurrection—Part II

From being a god with militaristic overtones, in time, Wepwawet was hailed as the ‘Lord of the Necropolis’, a role he acquired from Osiris, at his cult centers in Abydos and later Asyut too. A...
Coffin lid dating from the Late Period flanked by two depictions of Wepwawet; design by Anand Balaji

Wepwawet, Lord of Abydos and Champion of Royalty: Origin, Myth and Divinity—Part I

The ancient Egyptians not only worshipped animals they admired but also those that they feared greatly. As a result, their pantheon consisted of innumerable feathered and furry creatures – each a...
Relief of a funeral procession from the tomb of Merymery in Saqqara; design by Anand Balaji

Sem Priests of Ancient Egypt: In the Service of King and Country—Part II

An appointee of the Pharaoh himself, the role of the sem priest carried immense political and religious weightage. In many ways, this class of priest served as the bridge between the ruler and the...
Scene on the north wall in KV62 shows King Aye as sem priest, performing the “Opening of the Mouth” ritual on the mummy of Tutankhamun; design by Anand Balaji

Sem Priests of Ancient Egypt: Their Role and Impact in Funerary Contexts—Part I

The office of sem or setem priest of Ptah, the patron god of the craftsmen in Memphis, Lower Egypt, was a prestigious one. Considered a sacred feline with a connection to the Heliopolitan cult via...
Detail from the side of a seat of a group sculpture shows a baboon holding a cosmetic pot or kohl eyeliner; design by Anand Balaji

Primates of Ancient Egypt: The Bizarre and Satirical Monkeys of Amarna—Part II

Baboons and monkeys were an inalienable part of the religious and artistic landscape in ancient Egypt. A wealth of depictions of these animals exists in varied media spanning all dynasties. But it is...
Detail from one of the canopic jars of Padiouf, a priest of Amun, shows the face of the god Hapy; design by Anand Balaj

Primates of Ancient Egypt: The Deification and Importance of Baboons and Monkeys—Part I

The ancient Egyptians populated their vast pantheon of gods and goddesses with an incredible menagerie of animals and birds. These deities served as protectors, law-givers, healers, patrons of the...
Gilded leopard head found in the Tomb of Tutankhamun (KV62); design by Anand Balaji

The Felines of Tutankhamun: Leopards, a Symbol of Royalty and Divinity—Part II

Beginning with one of the earliest feline deities, Mafdet, the ancient Egyptian pantheon grew steadily as the years passed to include a wide range of creatures, both big and small – furry and...
Resin-stained wooden leopard found in the tomb of King Amenhotep II (KV35); design by Anand Balaji

The Felines of Tutankhamun: Leopard Changes its Spots to turn Black Panther?—Part I

The modest sepulcher of Pharaoh Tutankhamun was crammed to the brim with all manner of treasures produced in different shapes, sizes and materials. These objects can be clearly divided into two...
Head from a red granite statue of Amenhotep III wearing the double crown of Upper and Lower Egypt found at Karnak; side panel of one of the Colossi of Memnon shows a relief of Hapy, the Nile god, and a sculpture of Queen Tiye; design by Anand Balaji

Amenhotep III, The Man and his Monuments: Age of Empire and Architecture –Part II

With the empire witnessing an unprecedented era of peace and prosperity, Amenhotep III embarked on a grand building project that spanned the length and breadth of Egypt. The monuments he commissioned...
Detail from the outermost shrine of Tutankhamun showing a seated deity; design by Anand Balaji

KV62, Designed to Confound: Wealth of Mysteries in the Curious Tomb of Tutankhamun—Part II

Egyptological scholars are divided over whether a right-hand turn to the burial chamber in an Eighteenth Dynasty tomb signifies that it belonged to a female pharaoh. With this feature present in the...
The entrance to KV62, the tomb of Tutankhamun, in the Valley of the Kings; design by Anand Balaji

KV62, Designed to Confound: Was Tutankhamun’s Tomb built for a Female Pharaoh?—Part I

One of the greatest enigmas in all of Egyptology is the location of the final resting place of Queen Nefertiti, a powerful royal personage of the late Eighteenth Dynasty. Barring pieces of a votive...
The Great Sun Court of Amenhotep III at Luxor Temple; and detail of a calcite statue shows Amenhotep III with a solar form of the crocodile god Sobek, likely Sobek-Horus; design by Anand Balaji

Amenhotep III, the Man and his Monuments: Sparkling Glories of the Magnificent One – Part I

Few pharaohs in ancient Egyptian history could hold a candle to the stupendous achievements of Amenhotep III in various spheres. Everything that this daring king touched turned to gold. Be it...

Pages