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Theodora by Giuseppe de Sanctis (Public Domain)

Sociae Mimae: Ancient Roman Actresses Doing It For Themselves

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When Thespis, a Greek performer, stepped on the stage in 534 BC and became the first known man to speak words as a character in a play or a narrative, he broke the tradition where ancient Greek legends were only expressed in songs, dances and third-person storytelling. However, for hundreds of years after Thespis’ first appearance as the first recorded actor, the words ‘actors’ or ‘thespians’ strictly referred to men, as women's presence in the theatre remained the exception rather than the rule.

A Maenad and a Satyr, ancient Roman floor mosaic depicting Dionysiac scenes (220 AD) Römisch-Germanisches Museum Cologne (CC BY-SA 2.)

A Maenad and a Satyr, ancient Roman floor mosaic depicting Dionysiac scenes (220 AD) Römisch-Germanisches Museum Cologne (CC BY-SA 2.)

Denying Dionysus’ Cult

Women appearing on stage were not deemed decorous as women's perceived realm was the home and theatre was based on religion and sacred rites, performed in very public places. This is ironic given that ancient Greek theatre arose from the cult of Dionysus, the god of ecstasy whose rites were primarily performed by women singing and dancing, gripped in euphoric trances, in very public places. Rituals associated with Dionysus’ worship embodied the very concept of freedom and wild abandon, marked by maniacal dancing to the sound of crashing cymbals and loud music. The revellers whirled, screamed, and incited each other to ascending heights of ecstasy. The goal of this rite was to achieve such ecstasy that the celebrants' souls would be temporarily freed from their earthly bodies, allowing them to meet with Dionysus and taste what they would be experiencing in eternity. However, when these rites became formalized in the theatre, the wild women were ejected off the stage and their roles were usurped by men. 

Mosaic with two actors in a tragic scene. Antikensammlung Berlin ( Marcus Cyron /CC BY-SA 3.0)

Mosaic with two actors in a tragic scene. Antikensammlung Berlin ( Marcus Cyron /CC BY-SA 3.0)

The ban on women on stage, instituted by the Greeks and later reinforced by the Christian concern of female chastity, lasted until the 17th century when female vocalists first appeared in operas. Even this new development did not sit well with Christian authorities. “ A beautiful lady who sings on stage and retains her chastity is like a man who leaps into the Tiber and keeps his feet dry,” Pope Clement XI observed, describing the ancient men's enduring anxiety of seeing their wives on stage or, possibly, in public locations. “ Marry a virgin so you may teach her good ways” Hesiod wrote in his Work and Days.


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Martini Fisher is an Ancient Historian and author of many books, including “Horatio’s World” | Check out

Top Image: Theodora by Giuseppe de Sanctis (Public Domain)

By Martini Fisher

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Martini Fisher comes from a family of history and culture buffs. She graduated from Macquarie University, Australia, with a degree in Ancient History. Although her interest in history is diverse, Martini is especially interested in  mythologies, folklores and ancient funerary... Read More

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