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Detail of a talatat block from Amarna supposedly shows Kiya with her unnamed daughter. It is also suggested that this is Nefertiti and Meritaten; design by Anand Balaji (Photo credit: Brooklyn Museum, New York); Deriv.

Was Meritaten the Ephemeral Ankhkheperure? Discovering the True Identity of Amarna’s Female Pharaoh – Part I

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During the final years of the Atenist heresy, an obscure ruler came to the throne of Egypt. No one is certain about the identity of this person - especially if it was a man or a woman. Akhenaten’s reign continues to remain shrouded in mystery; in particular regarding a possible co-regency, and later, the independent rule of a female pharaoh; whom scholars believe was Nefertiti in the guise of Smenkhkare. But, could it be that the most favored daughter of the couple, Meritaten, took up the mantle of kingship as Ankhkheperure Neferneferuaten?

This sculptor's model, popularly known as the Wilbour Plaque, represents King Akhenaten and his consort Nefertiti in near-equal size - an unthinkable depiction in ancient Egyptian art. Brooklyn Museum, New York.

This sculptor's model, popularly known as the Wilbour Plaque, represents King Akhenaten and his consort Nefertiti in near-equal size - an unthinkable depiction in ancient Egyptian art. Brooklyn Museum, New York.

Royalty and Ritual: A Busy Childhood

There is no consensus on the exact nature, scope and scale of the tumultuous events witnessed during the Amarna interlude; a time when Pharaoh Neferkheperure-waenre Akhenaten accorded overwhelming prominence to the solar deity, the Aten. What experts do know, however, is that the king did not shirk from making bold statements through art. It is thanks to these extant representations that we have a reasonable understanding of the important figures at the royal court, because later monarchs obliterated almost all textual records pertaining to the ruling disposition of that era. Akhenaten was a quintessential family man who doted on his six daughters; all of whom are shown accompanying him and his Great Royal Wife, Nefertiti, in various domestic and stately settings. These depictions of familial bonding count among the rarest in Egyptian art.

A painted limestone block from Tell el-Amarna shows Akhenaten presenting a bouquet to the Aten; while his daughter, Meritaten, who wears her hair in an elaborate plaited sidelock symbolizing youth, shakes a sistrum. Brooklyn Museum, New York.

A painted limestone block from Tell el-Amarna shows Akhenaten presenting a bouquet to the Aten; while his daughter, Meritaten, who wears her hair in an elaborate plaited sidelock symbolizing youth, shakes a sistrum. Brooklyn Museum, New York.

It is opined that Meritaten was born in the early years of Akhenaten’s reign before he embarked on his radical reforms. Soon thereafter, her father changed his nomen from Amenhotep IV, and Neferneferuaten was prefixed to Nefertiti’s name. At that time the royal family resided in the traditional capital, Thebes. Egyptologists state they lived within the confines of the vast temple complex that the king had constructed at Karnak.

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More upcoming in Part II, an Ancient Origins Premium series by independent researcher and playwright Anand Balaji, author of Sands of Amarna: End of Akhenaten.

[The author thanks Heidi Kontkanen, Petra Lether, and Dave Rudin for granting permission to use their photographs in this series. The public archives of the Metropolitan Museum of Art can be accessed here.]

Top Image: Detail of a talatat block from Amarna supposedly shows Kiya with her unnamed daughter. It is also suggested that this is Nefertiti and Meritaten; design by Anand Balaji (Photo credit: Brooklyn Museum, New York); Deriv. 

By Anand Balaji

 
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Anand

Anand N. Balaji is an independent researcher who has a special interest in the Amarna era.

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