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The golden ratio in a shell

The Golden Ratio – A Sacred Number Linking the Past to the Present

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There is one thing that ancient Greeks, Renaissance artists, a 17th century astronomer and 21st century architects all have in common – they all used the Golden Mean, otherwise known as the Golden Ratio, Divine Proportion, or Golden Section.

Precisely, this is the number 1.61803399, represented by the Greek letter Phi, and considered truly unique in its mathematical properties, prevalence throughout nature, and its ability to achieve a perfect aesthetic composition.

According to astrophysicist Mario Livio in his book ‘The Golden Ratio: The Story of PHI, the World's Most Astonishing Number’:

Some of the greatest mathematical minds of all ages, from Pythagoras and Euclid in ancient Greece, through the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler, to present-day scientific figures such as Oxford physicist Roger Penrose, have spent endless hours over this simple ratio and its properties. But the fascination with the Golden Ratio is not confined just to mathematicians. Biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics.

What is the Golden Ratio?

In mathematics and the arts, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. When the Golden Mean is conceptualized in two dimensions it is typically presented as a regular spiral that is defined by a series of squares and arcs, each forming “Golden Rectangles”.

This symbolic potential arises because of the way the mean’s spiral shape resembles growth patterns observed in nature and its proportions are reminiscent of those in human bodies. Thus, these simple spirals and rectangles, which served to suggest the presence of a universal order underlying the world, were thereby dubbed “golden” or “divine”.

The Golden Mean’s spiral shape resembles growth patterns observed in nature. (Dean Marston /Adobe Stock)

The Golden Ratio in History

The golden ratio has fascinated Western intellectuals of diverse interests for at least 2,400 years. The earliest known monuments believed to have been built according to this alluring number are the statues of the Parthenon in Greece, dating back between 490 and 430 BC. However, there are many who have argued that it goes back much further than this and that the Egyptians were well versed in the properties of this unique number.

According to some historians, the Egyptians thought that the golden ratio was sacred. Therefore, it was very important in their religion. They used the golden ratio when building temples and places for the dead.

Ancient Egyptians are said to have used the Golden Ratio in their buildings. (John Smith /Adobe Stock)

In addition, the Egyptians found the golden ratio to be pleasing to the eye. They used it in their system of writing and in the arrangement of their temples. The Egyptians were aware that they were using the golden ratio, but they called it the "sacred ratio."

The first recorded definition of the golden ratio dates back to the period when Greek mathematician Euclid (c. 325–c. 265 BC) described what he called the "extreme and mean ratio". However, the ratio’s unique properties became popularized in the 15th century, when aesthetics were a vital component of Renaissance art and geometry served both practical and symbolic purposes. As the famous mathematician, astronomer, and astrologer, Johannes Kepler (1571 – 1630) wrote:

Geometry has two great treasures: one is the Theorem of Pythagoras, and the other the division of a line into extreme and mean ratio; the first we may compare to a measure of gold, the second we may name a precious jewel.

The Golden Ratio in Architecture

Many artists and architects have proportioned their work to approximate the golden ratio, with the belief that the outcome will be more aesthetically pleasing. Using any of these ratios, an architect can design a door handle that has a complementary relationship to its door, which in turn has a similar relationship to its enclosing wall, and so on.

But more than this, the golden ratio has been used for the façade of great buildings - from the Parthenon to the Great Mosque of Kairouan, and all the way through to modern landmarks such as the Sydney Opera House and the National Gallery in London.

The Golden Ratio is present in the Sydney Opera House. (Marco Brivio /Adobe Stock)

The Golden Ratio in Nature

Perhaps what is most surprising about the Golden Ratio is that it can be seen as a naturally occurring phenomenon in nature. The golden ratio is expressed in the arrangement of branches along the stems of plants and the veins in leaves.

It can also be seen in the skeletons of animals and humans and the branching of their veins and nerves too. It can even be seen in the proportions of chemical compounds and the geometry of crystals.

Essentially, the Golden Ratio is all around us and within us, and for this reason German psychologist Adolf Zeising (1810 – 1876) labelled it a ‘universal law’:

in which is contained the ground-principle of all formative striving for beauty and completeness in the realms of both nature and art, and which permeates, as a paramount spiritual ideal, all structures, forms and proportions, whether cosmic or individual, organic or inorganic, acoustic or optical; which finds its fullest realization, however, in the human form.

As a result of the unique properties of this golden proportion, many view the Golden Ratio as sacred or divine and some even believe it is a door to a deeper understanding of beauty and spirituality in life, unveiling a hidden harmony or connectedness in so much of what we see.

Top Image: Golden ratio. Divine proportion in a shell. Source: barneyboogles /Adobe Stock

By Joanna Gillan

Updated on July 24, 2020.


Dhwty. (2020) ‘Sacred Geometry: Unlocking the Secret Structures of the Universe.’ Ancient Origins. Available at:

Livio, M. (2003) The Golden Ratio: The Story of PHI, the World's Most Astonishing Number. Broadway Books.

Meisner, G. (2015) ‘Golden Ratio Overview.’ Golden Available at:

Ostwald, M. (2013) ‘The Golden Mean: A Great Discovery or Natural Phenomenon? (Op-Ed).’ Live Science. Available at:



Pete Wagner's picture

Were the great ancient Greek architects alive today, I’m sure they’d be happy to know of our appreciation for their brilliance - in the understanding and creation of beauty.  But show them the Sydney Opera House, and they might show you one of these:*V-W5klfdyTPJegBzJdqtFQ.gif


Nobody gets paid to tell the truth.

Why was this was not taught to me at school? I can answer this.

GM can be seen quite clearly in stock markets.

Plot on graph paper American wars. War of Independence 1775 and the Civil war 1861 multiply the years between by 1.618 and you will come up with 2001/2002 (Sep 11th 2001. Because nothing happened in 1722 I was able to predict the war that America is fighting today before Sept 11th..

Plot English wars. Boer war 1899, WW1 1914 tell me which war do you come up with.

GM exists within your body also.

Justbod's picture

I have loved this subject for years, and always wanted to study it further - I find it absolutely fascinating!

Thanks for the article and links!

Sculptures, carvings & artwork inspired by a love of history & nature:




The golden ratio is everywehre in nature and architecture. It is found throught the Great Pyramid of Giza, and throughout a lot of structures in what is now South America. There seems to be something so profound in this number, it has mafe the pyramids in Egypt earthquake proof.

Joanna Gillan's picture


Joanna Gillan is a Co-Owner, Editor and Writer of Ancient Origins. 

Joanna completed a Bachelor of Science (Psychology) degree in Australia and published research in the field of Educational Psychology. She has a rich and varied career, ranging from teaching... Read More

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