The Liber Linteus: An Egyptian Mummy Wrapped in a Cryptic Message

Close up of the Liber Linteus. Source: Curious Expeditions / CC BY-NC-SA 2.0
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In 1798, the French under Napoleon Bonaparte launched a military campaign in Egypt. Along with soldiers and military personnel, Napoleon brought a large number of scholars and scientists known as savants when he invaded the country. The involvement of these scholars in the war resulted in a renewed European interest in ancient Egypt, known as Egyptomania.

In time, Egyptian artifacts, including statues, papyri and even Egyptian mummies were being shipped from the Nile Valley to museums across Europe. One particularly interesting mummy, and its equally famous linen wrapping, known as the Liber Linteus (Latin for “Linen Book”), eventually found its way into the Archaeological Museum in Zagreb, Croatia.

Bonaparte before the Sphinx (circa 1868) by Jean-Léon Gérôme. (Public domain)

Bonaparte before the Sphinx (circa 1868) by Jean-Léon Gérôme. (Public domain)

How an Egyptian Mummy and its Liber Linteus Ended up in Vienna

In 1848, a Croatian official in the Hungarian Royal Chancellery by the name of Mihajlo Barić resigned from his post and decided to do some travelling. While he was in Alexandria, Egypt, Barić decided to buy a souvenir, leading to his purchase of a sarcophagus containing a female mummy.

When Barić returned to his home in Vienna, Austria, he displayed the mummy by putting her in the corner of his sitting room in an upright position. Barić removed the linen wrapping from his mummy and displayed it in a separate glass case.

In 1859, Barić died, and his brother Ilija, a priest living in Slavonia, inherited the mummy. As Ilija had no interest in mummies, he decided to donate her to the State Institute of Croatia, Slavonia, and Dalmatia (now known as the Archaeological Museum of Zagreb) in 1867.

Up to that point of time, nobody had noticed the writing on the mummy’s linen wrapping. It was only when the mummy was examined in 1867 by the German Egyptologist Heinrich Brugsch that they noticed the writing. Believing it to be Egyptian hieroglyphs, however, Brugsch did not investigate any further. 

Mummy at the Archaeological Museum in Zagreb, Croatia. (SpeedyGonsales / CC BY 3.0)

Mummy at the Archaeological Museum in Zagreb, Croatia. (SpeedyGonsales / CC BY 3.0)

Realizing the Importance of the Liber Linteus

A decade later, Brugsch had a chance conversation with a friend, the British explorer Richard Burton. They spoke about runes, resulting in Brugsch realizing that the writing on the mummy’s linen wrapping was not actually Egyptian hieroglyphs but some other script. Although both men realized that the writing may have been important, they wrongly concluded that it was a transliteration of the Egyptian Book of the Dead in Arabic.

In 1891, the Liber Linteus were sent to Vienna, and were thoroughly examined by an expert on the Coptic language, Jacob Krall. Initially, Krall had expected that the language of the text was Coptic, Carian, or Libyan. Upon closer inspection, however, Krall established that the text was actually written in Etruscan. While he was able to reassemble the strips in their proper order, Krall was unable to translate the text.

The unique Liber Linteus – strips of linen mummy wrapping - bearing Etruscan script. (SpeedyGonsales / CC BY 3.0)

The unique Liber Linteus – strips of linen mummy wrapping - bearing Etruscan script. (SpeedyGonsales / CC BY 3.0)

Why Was There Etruscan Writing on an Egyptian Mummy?

Even today, the Etruscan language is still not fully understood, as very little of the ancient language has survived. Nevertheless, certain words could be picked out to provide an indication of the Liber Linteus’ subject matter. Based on the dates and names of gods found throughout the text, it is thought that the Liber Linteus was a religious calendar.

What was an Etruscan book of rituals doing on an Egyptian mummy? One suggestion is that the deceased was a wealthy Etruscan who fled to Egypt, perhaps some time during the third century BC (the Liber Linteus has been dated to this period) or later, as the Romans were annexing Etruscan territory.

As was the norm with other rich foreigners who died in Egypt, the young woman was embalmed before her burial. The presence of the Liber Linteus may be explained as a memorial left for the dead, as part of the Etruscan burial custom. Yet, the biggest problem with this is a piece of papyrus scroll that was buried with the mummy.

The scroll identifies the deceased as an Egyptian woman by the name of Nesi-hensu, the wife of a Theban divine tailor named Paher-hensu. Hence, it is likely that the Liber Linteus and Nesi-hensu are not connected, and that it was probably the only linen the embalmers could get their hands on when they were preparing this Egyptian woman for the afterlife. As a result of this accident in history, the Liber Linteus is the oldest known preserved extant text in the Etruscan language.

Top image: Close up of the Liber Linteus. Source: Curious Expeditions / CC BY-NC-SA 2.0

By Dhwty

References

Copeland, M. 2011. The Zagreb Mummy Script. Available at: http://www.maravot.com/Translation_Zagreb_Mummy.html

Drye, P. 2009. Liber Linteus, or 101 Uses for an Egyptian Mummy. Available at: https://passingstrangeness.wordpress.com/2009/06/18/liber-linteus-or-101-uses-for-an-egyptian-mummy/

Martin, L. 2013. Liber Linteus, Mummified Language. Available at: http://www.parrottime.com/index.php?i=6&a=61&p=all

Peter Harrap    18 February, 2015 - 14:36

So the story goes… the dead wife of a divine tailor is embalmed in linen scrolls of etruscan religious texts, and there is no connection?

They just happened to grab the only available material?

These people were poverty-striken desperate, or  stupid people? No.  I’d say the widower the “divine tailor” of the story , knowingly supplied the linen cloth himself, aware of what was written on it, but left the heiroglyphic note to clue in anyone finding the mummy.

What is interesting about such remains is their intent. They are deliberately left with messages scrawled all over mummy wrappings and cases, and the priests may have been Egyptian yet respected the need for Etruscan on the linen. Perhaps they were immigrant workers? this “divine tailor” and his wife, and were accorded this status due to his talents by the egyptian pristhood of the time, for whom , just maybe he made clothes, and had been there in Egypt some time and had taken new names, or were at least so-called by whoever put the scroll in with the body

Aliya Osho (not verified)    16 June, 2015 - 15:43

Etruscans and Egyptians they were all one people and spoke one language, shared one spirituality. They were the Ancient Bulgarians. A language can be written in several alphabets and still the spoken language is one. Egypt has a Bulgarian name - EGeBat means the Land (Ge) of Ba (Bulgarian word for God). Kopti or Gobati are the local indigenous people in today Egypt. Koptis are ortodox christians and use even today the Bulgarian alphabet.
The Arabic name of Egypt is Masr and is also of Bulgarian origin. Ma (Godess Ma of Ancient Bulgarians) su (from ) Ra (God Absolute of Ancient Bulgarians). Masre means the land of Godly Mother. Ancient Bulgarians' spirituality the first human spirituality is well observed in ancient Egypt.
On the other side Etruscan as the people of TaRaAz - Bulgarian proper name meaning A Man of God Ra AllFather.

Porin (not verified)    17 June, 2015 - 08:26

A couple of comments:
1. the mummy was donated to the museum in 1862, not 1867.
2. the radiocarbon dated the mummy to around 390 BC
3. recent research (not published) showed that the papyrus scroll is of a different date, about a 100 years younger than the mummy, suggesting it is not connected to her