The Mystical Pentatonic Scale and Ancient Instruments, Part I: Bone Flutes
One of the ancient technologies that is often overlooked is the creation of musical instruments. The purpose, development and in some cases the techniques used to develop music remains a mystery. Pythagoras was one of the first people to do a scientific study on the tones that seem to occur naturally in the world. And yet the use of the five tones of the pentatonic scale predates Pythagoras by millennia.
High in the mountains around southwestern Germany, in an area known as Swabia, bone flutes were found in 2008 that have scientists rethinking when human creativity first showed up in history. Many of the bone flutes found around the world are made from the bones of birds. It may be that the hollow bones of birds is much easier to turn into a flute, or it could be that early cultures believed that the bones of the bird would impart some of the bird’s song into the flute, or perhaps a bit of both of these ideas is true. But something that is remarkable, is many of the bone flutes found throughout the world are tuned to the pentatonic scale. Many claim that these flutes are between 40,000 and 60,000 years old.
Aurignacian flute made from an animal bone, Geissenklösterle (Swabia). (CC BY-SA 2.5 )
Five, the Number of Man
In ancient times, the number five was considered the “number of man.” Some say this is because we have five fingers and five toes. Some say that it is because we have a head, two hands and two feet. And when the man is in the position of the “Vitruvian Man,” that Leonardo da Vinci drew, we see this pentagram-ic stance making up the five pointed symbol that is still associated with the occult today.
The wearing of a pentagram as jewelry may have originated with Pythagoras, and the Pythagoreans who would wear a pentacle with the Greek word for “health” “ugieia” written somewhere on the pendant. But the Pythagoreans were not the first to use the five pointed star as a symbol, as the Babylonians had been using it for centuries before Pythagoras came along.
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Music of the Spheres
The Babylonians associated the Pentagram with the five observable planets. Pythagoras took this concept of the five planets in our solar system and integrated the five naturally forming tones of the pentatonic scale into his theory of the “Music of the Spheres,” or as it is also known “Musica Universalis,” or the “Universal Music.”
This is a theory of how intervals relate numerically, and this in turn leads one to discover proportion, symmetry and all sorts of other interesting connections, as a result of the harmony that makes up the universe itself. This theory was basically abandoned by the end of the Renaissance, but continues to intrigue both occultists and theologians to this day.
Harmony of the world, 1806. ( Public Domain )
The Pentatonic scale we now know predates Pythagoras, the Babylonians and virtually every other culture all the way back to these early bird bone flutes that have been discovered in various parts of the world. It seems to be innate to our sense of hearing that we pick up on these specific tones and are drawn to them. As a music teacher, I am constantly amazing people who previously had no musical experience, by showing them they can play music, if they use the “magic” pentatonic scale. It never ceases to impress new students who walk away with the tools needed to figure out, literally, thousands of tunes that are based off of these scales.
Engraving from Renaissance Italy (Gafurius's Practica musice, 1496) showing Apollo, the Muses, the planetary spheres and musical ratios. ( Public Domain )
So what is the pentatonic scale? There are actually five Pentatonic Scales. The easiest way to find the pentatonic scale is to find a piano, and begin playing the black notes.
If you were to start at middle C in the center of the piano, and play each of the black notes that follow, you would play in order: D♭-E♭-G♭-A♭-B♭. If you wanted to start at a different note each time you played the scale, you would play five different scales. First by starting with D♭, then the second time through starting off on E♭, then G♭, then A♭, and then finally using the scale that starts with B♭: B♭-D♭-E♭- G♭-A♭.