The Tomb of Pharaoh Seti I: A Missing Mummy, An Unexpected Tunnel and a Mummified Bull
The mummified face of Pharaoh Sety I (Seti I) still shows that he was not only extremely powerful but also very handsome during his lifetime. Sety’s tomb was brought back to the world on October 16, 1817 by the rebellious researcher Giovanni Battista Belzoni. It was an amazing find, but when the door was opened, destruction and confusion soon followed. It all began with the mystery of the missing mummy…
What Did Belzoni See?
When Belzoni entered the tomb, he had no idea what he had discovered. His confusion overcame him as a human mummy was nowhere to be found. He did, however, discover a mummified bull - so he decided that the tomb must have been created to honor Apis, a holy bull in Ancient Egypt. It’s important to remember that Belzoni wasn't a professional Egyptologist - the scientific field called Egyptology wasn’t even created until thirteen years later.
"Entrance to one of the Royal Tombs at Thebes" from a book by Édouard de Montulé (1821). ( Public Domain ) Egyptology was not created yet and most people had a different perception about how to visit ancient tombs in Egypt and elsewhere.
Belzoni didn't write anything about the tomb being blocked off or any closed doors, so it is impossible to guess what its state of preservation was when he entered it. It is known, however, that the tomb was looted and the mummy only survived thanks to priests who lived during the Third Intermediate Period.
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One of the decorated (and damaged) walls in the tomb of Seti I. ( Jean-Pierre Dalbéra/ CC BY 2.0 )
An Eternal Home Made for Sety I
The tomb located in the Valley of the Kings, known as KV17, is the longest tomb in the entire necropolis. It’s about 137 meters (449 ft.) long and is still recognized as an elaborately decorated monument from the times of Sety I and his son, Ramesses II.
Isometric, plan, and elevation images of KV17. (R.F. Morgan/ CC BY SA 3.0 )
The most fascinating aspects of the tomb are the well-crafted decorations that brought antiquity to vivid life. The interpretation of the intricate wall paintings shows a different image from Sety I’s ancestors. According to Nicholas Reeves and Richard H. Wilkinson:
“The influence of Horemheb's transitional representations is still fell, through Sethos I'’s [Sety I’s] figures exhibit more subtlety modeled features, with the larger ears and smaller mouths which form the basis of the new Ramesside style. The decorative program established here is also followed fully or in part by every succeeding tomb through the rest of the valley's history. For the first time, the Litany of Re appears on the walls of the first two passages, with scenes from the Amduat also in the second passage and at lower points in the tomb. Previously, these works had appeared only in the burial chambers of the royal tombs, and are evidently now given new symbolic emphasis.”
Decorations in KV17, Seti I's tomb. (Jean-Pierre Dalbéra/ CC BY 2.0 )
The opening of the mouth ceremony in the lower passage looks very much like the one depicted in the tomb of Horemheb. Moreover, other parts of the tomb were also decorated with rich and detailed paintings.
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Sety I’s Original Burial Chamber
Sadly, the tomb was heavily damaged by researchers during the 19th century. The pharaoh’s sarcophagus was removed in the 1820s to become part of a museum collection in London. Priceless decorations gracing the walls, ceilings, pillars, etc. were also damaged by Jean-Francois Champollion, who explored the tomb during 1828-1829. He removed a wall panel in one of the tomb's corridors. Other wall paintings were taken by a German research team in 1845. The beautiful images that were stolen from the tomb’s walls are now parts of elite museum collections in Berlin, Paris, and Florence, amongst other locations.
Seti I’s sarcophagus, Sir John Soane’s Museum, London. ( © Sir John Soane’s Museum, London )
The funerary equipment was still inside the tomb when Belzoni entered it. Of course, the precious metals and stones were soon pocketed, but many other things, like the wooden furniture and other objects which didn’t catch his eye, were left inside the tomb. As the wood was corroded and the other items were unlikely to fetch a good price, Belzoni took little interest in them.