Mummy Brown – the 16th century paint made from ground up mummies
Most people today would probably associate Egyptian mummies with museums. This is unsurprising, as many museums around the world, especially in Europe, have Egyptian mummies in them. Yet, if I were to say that real mummies can be found in paintings, it may be a little odd, to say the least.
Until relatively recently, Egyptian mummies, believe it or not, were used to produce a type of paint, which was called Mummy Brown, Mommia, or Momie. The main ingredient of this paint was, as you may have already guessed, ground up Egyptian mummies. This powder was mixed with white pitch and myrrh to produce a rich brown pigment. It was first made in the 16th century, and became a popular colour amongst the Pre-Raphaelite painters of the mid-19 th century. For instance, it has been recorded that the British portraitist, Sir William Beechey, kept stocks of Mummy Brown. The French artist Martin Drölling also reputedly used Mummy Brown made with the remains of French kings disinterred from the royal abbey of St-Denis in Paris. It has been suggested that his ‘L’interieur d’une cuisine’ is an example of extensive use of the pigment.
Martin Drölling, L’interieur d’une cuisine. 1815 (Louvre)
The use of this paint, however, became less popular in the early 20 th century. This was partially due to the ‘realisation’ that the paint was actually made of real Egyptian mummies, as well as the significant decline in the number of mummies available, and the increasing awareness of the scientific, archaeological, anthropological and cultural importance that mummies had. For example, when the artist Edward Burne-Jones discovered what Mummy Brown was actually made of, he went to his studio, took his tube of Mummy Brown, and insisted on giving it a decent burial there and then. In 1964, Mummy Brown became ‘extinct’, when C. Roberson, a London firm that manufactures and supplies material for fine art, announced that they ‘ran out’ of mummies for the production of the paint.
Left: A bottle of Mummy Brown. Photo source . Right: An 18 th century apothecary vessel containing ‘Mummy powder’ . Photo source: Wikimedia.
Art supplies were not the only things that ground mummies were used for. More surprisingly, perhaps, is their use for medicinal purposes. This was due to the belief that mummies contained bitumen, which was used by the ancient Greeks to cure a variety of diseases. Apparently, in the absence of real bitumen, the so-called ‘bitumen’ from a mummy would do just as well. By the way, the word mummy itself is derived from the Persian word for bitumen, mum or mumiya. As a result of this belief in the medicinal properties of ‘Mummy powder’, Egyptian mummies were exported to Europe, ground down, and sold in apothecaries throughout the continent. Part of the craze for ‘Mummy powder’ was due to the claim that mummies had a mysterious life force that was transferrable to whoever ingested it. Hence, ground mummies were consumed by Europeans well into the 18 th century.
This high demand in Egyptian mummies meant that there was much money to be made in this trade. Unsurprisingly, forgeries were made by some to cash in on this lucrative business or to meet its high demands. Thus, when actual Egyptian mummies were short in supply, the corpses of convicted criminals were used instead. The bodies of executed criminals or slaves were treated with bitumen and exposed to the sun in order to produce ‘authentic’ mummies, which were then sold to traders. Once ground into powder, it would probably be near impossible to tell the difference between a genuine Egyptian mummy and a fresh corpse treated with bitumen.
Today, the pigment Caput Mortuum, which means “dead head” or “worthless remains”, is an alternative name for Mummy Brown, and is produced by popular brands, such as Faber Castell. However, you can be pretty sure that there are no dead bodies used in its production.
Faber Castell produces ‘Caput Mortuum’. Photo source .
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