Ragnarok and the Apocalypse - Norse Mythology

The story of Ragnarok and the Apocalypse

shareThis

In Norse mythology, Ragnarok is a series of apocalyptic events that will define the end of the world, where giants of frost and fire will together fight the gods in a final battle that will ultimately destroy the planet, submerging it under water. According to the legend, the world will resurface, the surviving and returning gods will meet, and the world will be repopulated by two human survivors.

 Brothers will fight and kill each other, sisters' children will defile kinship. It is harsh in the world, whoredom rife —an axe age, a sword age —shields are riven— a wind age, a wolf age— before the world goes headlong. No man will have mercy on another.
Dronke (1997:19)

The Punishment of Loki - Norse MythologyNorse mythology is divided in two major groups of gods – the Giants (Jotnar), Aesir, and Vanir.  The Giants were the ones that came first and lived in in Jötunheimr, one of the nine worlds of Norse cosmology. They were banished there by the Aesir, who refused them entry to their world, Asgard.  The Giants frequently interact with the Aesir and the Vanir, usually in opposition to, or in competition with them.

The god Loki was the son of a Giant and was known as a trickster god with the ability to shape shift.  His role in Norse mythology is unique and controversial since he appears to both help the gods and hinder them. He was also permitted to live with the Aesir in Asgard. Loki fathered many offspring, including an eight legged horse (Sleiphnir) used by Odin, a dragon, and the wolf Fenrir who plays his role in the apocalyptic Ragnarok.

According to the story, Loki tricked the blind god of winter, Hod (Hoor), an action that resulted in the death of the god Balder, son of goddess Frigg and god Odin. Because of this, he was punished and cast into a cliff where he was to remain bound until Ragnarok, the end of the world. This bears similarities to the punishment of Prometheus in ancient Greek mythology, who was bound to a rock for giving the ability to make fire to humanity.

Like the Christian apocalypse, Ragnarok sets out a series of signs that will ultimately define the end of times. The first sign is the Fimbulvetr, a long and continuous cold winter with constant snow that will last for a year. A red rooster called Fjalar will warn the Giants that the Ragnarok has begun. A second rooster will warn all the dead that Ragnarok has begun. Finally, a third red rooster called Gullinkambi, a rooster that lives in Valhalla, a majestic hall located in Asgard, will warn all the gods about the beginning of the end.

The god Heimdallr will use his trumpet to play a specific tone that will be heard in Valhalla, and this will bring the dead back to life and they will march to the realm called Vigrid (the place of battles), where the final battle will take place. The seas will be torn and the World Serpent, a serpent so large that he surrounds the earth and grasps his own tail, will raise itself from the depths of the oceans to join the battle. The gods Balder and Hod will also return from the dead to fight in this great final battle.

Loki and his horde, as well as the frost Giants, will sail to Vigrid in order to battle against the Aesir on a ship made of the nails of dead men like a ghost ship. All monsters and giants like the flame giant Surtr, Hel’s dog Carm, the wolf Fenrir (Fenris), and the leader of the giants, Hrym, will create a powerful army against the gods.

The result of the war will be that Thor and Odin and most of the gods will die, and the dragons will release fire that will destroy all life on Earth.

But this is not the end. Things will start again with a new race, a new world will arise from the depths of the seas. The first two mortals will be called Lif (woman) and Lifthrasir (man) and they will repopulate Earth.  The gods Vali and Vidar, as well as the sons of Thor and Hoenir, who survive the battle, will go to Idavoll, which will not be destroyed in Ragnarok. The gods Balder and Hoder will be returned to life and a new era will begin.

The apocalyptic story of Ragnarok shows the battle between gods, a battle with severe consequences for both humans and gods.  The humans are the ‘collateral damage’ in this war between the gods, much like in Hindu mythology. This distinguishes Ragnarok from the Christian apocalypse in which humans are punished for not being loyal and faithful to God.

Mankind has been fascinated with the ‘end of times’ since as long as history has been recorded. In Christianity, it is the ‘Judgment Day’ described in the Book of Revelations; in Judaism, it is the Acharit hayamim; in Aztec mythology, it is the Legend of the Five Suns; and in Hindu mythology, it is the Story of Avatars and the Man on the Horse.  Most of these myths maintain that when the world as we know it ends, a new incarnation of the world will be created. Are these myths and legends simply a metaphor for the cyclic nature of change seen in the rotations of day and night, the seasons, and the chains of life and death, or will humanity meet its end in the not so distant future?

By John Black

Related Links

Nordic Gods

The punishment of Loki

Norse Mythology

Ragnarok in Norse Mythology

Related Books

Comments

The usual want to have coitus today where is the money to do such.

Justbod's picture

Great article!

Just had the Viking Festival here in York, which had Ragnarok as the finale (!)

Celtic, Viking & Mythical sculptures, carvings & artwork: www.justbod.co.uk

Justbod Blog: www.justbod.blogspot.co.uk/

 

I believe all the Apocolypse stories are metaphores for the changing of Earths cycles. All the stories are way too similar.

"Are these myths and legends simply a metaphor for the cyclic nature of change seen in the rotations of day and night, the seasons, and the chains of life and death, or will humanity one day meet its end?"

Yes they are a metaphor for the cycles of nature as clocked by the precession of the equinoxes.
We have just moved from the age of Pisces to the age of Aquarius. The next 2135 years a going to be very different to the last.
Firstly we must see the collapse of this civilis(z)ation as we are seeing the legs quiver in the death throws.

"Who of mankind will survive the Fimblvinter."

If everybody knows this battle is going to happen, and how it's going to turn out. Why would they bother?

I think this is the key to understanding this "Prophecy", it makes no sense see this as simply a predicion of the Future, how would anybody except to predict the outcome of a battle with such accuracy.

This "Myth" is probably something else, more like a riddle, whoever solves it, gets a reward, whatever that may be.

It's a Matrix! A dance of existence. There is no good or evil, there are just our fears and struggle for control. A struggle to stop change.
Just be aware or the small particles that our world is made of :) and be aware of the world you are making every day :)

It was quite obvious that the serpent that encircles the globe with it's tail in his mouth, and wakes up, is today known as the ring of fire. Just another descriptive way of saying things.

Tsurugi's picture

Huh. I immediately thought of the earth's magnetic field, and wondered if that's what it was talking about. The ring of fire doesn't encompass the globe.

If the Ouroboros, the world serpent biting his own tail, is really an ancient symbol for the earth's magnetic field...well....that leads to some interesting possibilities, I think, quite aside from Ragnarok and the apocalypse/cataclysm mythology.

I also thought I should point out that Loki has more than just Prometheus as a possible cultural mythological counterpart. There is the strange story in the book of Enoch, of Shemyaza, the leader of the group of Watchers who make a pact to descend to earth, find some hot chicks to be their wives, and raise families. In doing so, they impart much "forbidden knowledge" to humans, teaching all kinds of foundational technologies, skills, and trades. According to the text, this really makes God(or gods, the Elohim) mad, and Shemyaza is imprisoned beneath a great desert, sealed inside an immense stone construct deep within the earth, to remain there until called forth in the "final battle".
Supposedly their was an ancient ritual that took place once a year in the mesopotamian area, during the course of which a goat was sent out into the desert as food for the imprisoned god, to placate him and keep him from destroying the surrounding environs while mad with hunger. I guess gods can survive on only one goat per year. Barely.
Anyway, that is supposedly where the term "scapegoat" originated.

As someone else mentioned, the similarities across the myths is too much to ignore. I have considered the idea that they are all separately generated but based on the same events, and though it isn't completely outside the realm of possibility, I don't think that is likely. Two people both witnessing the same event will tell two stories that differ much more than these myths do, because people notice different things, and their personal recount will take wildly differing tracks. These myths don't really do that. It seems more like they are all copies the same original story, but distorted or changed from the original by millenia of immersion in different cultures.

Besides...even if humans from around the world in the distant past all wrote structurally similar descriptions of events after an immense cataclysmic destruction of their world, how would they all get the same future prediction as well?? If it merely said "It will happen again, it is written in the stars" or something similar, that would be one thing....but they give details, about who will be there and what takes place and why, and who will survive and who will perish! There are differences across the mythologies regarding the details, but the similarities overwhelm them. There must be a single source.

All things have cycles, and seasons....earth and civilization not excluded.

This 'myth' is an expression of cultural astronomy that references the seasons of the precession of the equinoxes. Similar variations of it are found in the oral traditions of most ancient cultures. Everything in existence follows the same pattern: birth, aging, sickness, dying, and death, repeat, eternally.

Register to become part of our active community, get updates, receive a monthly newsletter, and enjoy the benefits and rewards of our member point system OR just post your comment below as a Guest.

Ancient Places

Reconstruction of the Sumerian city of Ur
Graham Hancock, in his famous work “The Fingerprints of The Gods” argues that certain civilizations around the globe showed these signs of unusual intelligence in their architecture, science and...

Opinion

Reconstruction of the Sumerian city of Ur
Graham Hancock, in his famous work “The Fingerprints of The Gods” argues that certain civilizations around the globe showed these signs of unusual intelligence in their architecture, science and...

Our Mission

Ancient Origins seeks to uncover, what we believe, is one of the most important pieces of knowledge we can acquire as human beings – our beginnings.

While many believe that we already hold such knowledge, our view is that there still exists a multitude of anomalies and mysteries in humanity's past that deserve further examination.

We therefore wish to foster an open community that is dedicated to investigating, understanding and explaining the origins of our species on planet earth. To this end, we aim to organize, support and even finance efforts in this direction.

Our aim is to move beyond theories and to present a thorough examination of current research and evidence and to offer alternative viewpoints and explanations to those currently held by mainstream science and archaeology.

Come with us on a journey to explore lost civilisations, sacred writings, ancient places, unexplained artefacts and scientific mysteries while we seek to reconstruct and retell the story of our beginnings.

Ancient Image Galleries

Vessel in the form of a man on a reed raft
Administrative tablet showing the early development of cuneiform writing
The Great Pyramids