Earlier this month we reported on an investigation into the story of Father Crespi and his missing artifacts. The story of Father Crespi is a mysterious and controversial account of a priest in Ecuador involving claims of unknown civilizations, strange golden artifacts, a subterranean cave system containing a metallic library, depictions of figures connecting America to Sumer, symbols depicting an unknown language, and a Vatican conspiracy involving thousands of missing artifacts. Ancient Origins undertook an investigation to find out how much of the story is true. While our initial enquiries produced valuable information, our latest explorations concluded in being urged to stop pursuing further investigations into the missing artifacts.
If you have not yet read the first article, please read it here before proceeding with this update.
To summarize the results of our findings, our investigations determined that:
- Father Crespi’s collection is not missing but was purchased by the Central Bank of Ecuador and is currently stored in their museum vaults.
- The majority of Crespi’s collection consists of authentic and valuable artifacts gathered from around Ecuador.
- The so-called Metallic Library mentioned by Eric von Däniken in his controversial book ‘The Gold of the Gods’ is nothing more than modern-day carvings on cheap metal.
- A small subset of artifacts, which were photographed and filmed in the 1970s, consisting of gold carvings, hieroglyphs and Sumerian figures is genuinely missing and no one seems to have the answers as to where they are located and what their significance is.
Digging Deeper
On Wednesday the 30th March, Dr Ioannis Syrigos, Co-Founder of Ancient Origins, arranged an appointment with an expert on Father Crespi based in Cuenca, Ecuador, who wished to remain anonymous. The meeting was to clarify a few missing pieces to the Crespi puzzle for a video Ancient Origins is preparing about Father Crespi’s life. This is an important video that will present the great personality of Father Crespi and his immense help to the people of Cuenca, Ecuador.
The missing pieces of the puzzle are of course the golden artifacts depicting hieroglpyhs and Sumerian figures, the ones that Crespi presents and supports in his videos with Stanley Hall and the ones that Professor Barry Fell of Harvard University identified as original. Some of these artifacts can be seen in the video below.
The missing artifacts consist not only of metallic (golden) tablets, but also clay and stone artifacts with unusual carvings, none of which were among the thousands of artifacts that we viewed in his collection held by the Central Bank of Ecuador. Some of the artifacts were accepted by Father Crespi as original and authentic, while others were fake, which he also knew and acknowledged. As a highly educated man – a scientist, educator, anthropologist, botanist, artist, explorer, cinematographer, humanitarian and musician – Father Crespi was in a good position to assess the authenticity of the artifacts.
Expert Withholds Information on Crespi’s Artifacts
We met with the expert, who holds a senior position at a local university, and he was eager to help us complete our research and the video about Father Crespi.
In our discussion, we explained the importance of having all the facts around Crespi clear in the video, otherwise the video would be incomplete. However, any reference to the missing artifacts made the expert uncomfortable. It seemed that this was because he preferred that we focus on the other aspects of Father Crespi’s life that he deemed more important than the artifacts – i.e. his charitable endeavours.

The official response of the expert was that these artifacts simply went missing, never to be found again. While initially he said he knew nothing about the location of the missing artifacts, later on he said that he was not authorized to talk about them.
- The Truth About Father Crespi and His Missing Artifacts Finally Revealed
- Father Crespi and the missing golden artifacts
- Expedition to Tayos Caves: Never Before Seen Photographs Shed Light on Mysterious Underground Network
Involvement of the Vatican?
At some point during our discussion, we asked the Expert about reports that the missing artifacts had been shipped to the Vatican in Italy. His response was not to deny that this took place, but to say that he was aware that pieces of art had been sent to the Vatican because Father Crespi was a collector of Art and he had many items in his possession.
Ancient Origins Urged to Leave the Investigation Alone
In the end, our persistence to clarify the situation led the expert to urge us not to question the local religious community because they are a very proud community with strong influence in Ecuador and therefore it is best that we do not look more into the missing artifacts, which are not important to their cause – i.e. making Father Crespi a Saint.

It was quite clear during our conversation that there is something that someone does not want the public to know about. Is there a cover up to hide the fact that the precious artifacts were stolen or sold for profit by someone? Or where they hidden away because they revealed something controversial about the history of the country?
Military Involvement?
In addition to our enquiries with the expert, we also managed to get in touch with an investigator who came to Ecuador around a decade ago to carry out his own search into the Father Crespi mystery. While he asked to remain anonymous, he did allow us to relay some information he obtained during his enquiries. Upon visiting the Central Bank Museum of Ecuador, where Crespi’s artifacts are currently stored, he was told that the missing artifacts had been sold by the Chuch of Maria Auxiliadora, where Crespi carried out his charitable endeavours, to the Ecuadorian Military. He was also told that this information was confidential and not to be made public. We have been unable to verify the accuracy of this information, but it does add a new avenue to explore.
Despite the insistence by the expert that we drop the investigations into the artifacts, we are now proceeding with further explorations through other channels and we will update on the results in due course. We will soon prepare a video showing the incredible life of Father Crespi, a multi-talented man whose main concern was to help the people of Ecuador.
Featured image: A collection of artifacts given to Father Crespi
NOTE: The expert requested for his name and the name of the University to be removed from the content.


missing artefacts
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I saw similar Sumerian artifact if not the same - (first photo, first row, second photo from the left ) in the collection of Klaus Dona from Austria
https://www.pinterest.com/pin/295126581801819136/
he also have some golden plates in collection too...
https://www.pinterest.com/pin/309833649335433612/
google him and you can see artifacts in his video presentations on Youtube
Crespie's lost artifacts
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In reply to missing artefacts by acaki (not verified)
Yes, it would appear that Klaus is now in possession of at least 2 of Crespie's artifacts. Wonder how he aquired them? Here is a supposed conversation:
BR: two representations of people in relief, one half human, half bird I have a question now, about these two artifacts which you have here. I know that most of them are in secure storage at the moment, so we’re not able to lay it all out on the table. But on your desk right here, you’ve got a couple of objects that I find absolutely fascinating, and would you tell us why you brought these out for us, what they are, what is their significance. What are we looking at here? There are metal plates.
KD: These are two bronze plates. They were in the ownership of Father Crespi, an Italian father living in Ecuador.
from page: http://projectcamelot.org/lang/en/klaus_dona_interview_transcript_en.ht…
Dona Collection
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In reply to Crespie's lost artifacts by Minnie (not verified)
Yes, I see now that he mention them. I haven't read that interview on Project Camelot.
I first saw those objects and story about father Crespi in documentary "Ancient Aliens" on History Channel, and not long after that I saw presentation by Klaus Dona on YT where he show those two artifacts on a slide show (but hi didn't mention in that video how or where he acquired them). I knew that both objects are very familiar to me - so I taught that they are now in "Dona Collection". And now I was baffled when I saw that Ancient Origin stuff are looking for them in Ecuador..
Dona is, as far as I know, wealthy gallerist from Vienna who started collecting strange artifacts around the world and now is making presentations and exhibitions around the world. He probably bought them ....(maybe directly from Bank of Ecuador).
I also want to point out that in the Dona's video that winged Sumerian demon looked like some cheap modern drip molding with added patina. Also, I don't remember from history of art that Sumerians did much of their sculptures in cast metal (if they did any?). It may be the same problem as with "Ica stones". I believe that it would be better to search for the connections between America and Mediterranean civilizations in cases such as "cocaine mummies" from Munich museum or "Bay of (roman) jars" in Brasil, etc.
When I first stumbled across
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When I first stumbled across this story in January of this year, I became quite passionate about it like no other ‘history mystery’ in a very long time. I spent many days trying to match the writing on the gold tablet books and also a couple that appeared to be Phoenician daughter systems. I was able to match about 15 symbols on the gold tablets to those on the qeiyafa ostracon, but there were many more in addition… It’s unfortunate that they are now hidden from public view, but at least good photos of them are still available and it seems plenty of ‘credible’ people verified their existence prior to their disappearance. One artifact in Father Crespi’s ‘original’ collection, of Egyptian origin with hieroglyphics, was examined as a result of the Mormons contact with Dr. Fell of Harvard and translated and dated to 148 bc, and I suspect the others were even older from my own research efforts. I personally am leaning toward a Phoenician/Carthage connection for the missing artifacts since there was a good ‘mix’ of cultures from the Mediterranean represented, and that date coincides with their annihilation by the Romans in the Punic wars in 146 bc. I have seen engravings of their sail boats from their naval fleet and they certainly would have been capable of long distance voyages. It saddens me a great deal that the academic world never recognized the true significance of these artifacts discovered by the Shuar, and now they ‘may’ be in some rich person’s ‘private’ collection or even locked up in the Vatican :-( I for one have been extremely impressed by your efforts in this complex and dangerous investigation and am glad I joined Ancient Origins Members group just in time to read your fantastic articles!!! Thank you!
Thank you Carol :-)
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In reply to When I first stumbled across by Carol Ann1
Thank you Carol :-)
Pagination