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Vincent van Gogh's Pair of Shoes was painted in June 1895 at Auvers-sur-Oise. (Public Domain)

Magic Shoes And Boots: The Soles Of Mythology

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Interest in the history and archaeology of ancient footwear began in the 17th century and today the formal study of footwear is called ‘ calceology.’ This field of science includes interpreting ancient footwear against social and cultural contexts, understanding the technical aspects associated with leather trades, and the reconstruction of archaeological artifact footwear.

Given a moment of thought, anyone will agree one does not really need a calceologist to confirm that perhaps no single invention has enhanced humankind’s outdoor survival, better than shoes and boots. While strong leather soles enabled hunters to run in forests and jungles chasing fast moving prey, to climb sharp cliffs and thorny trees collecting nutritious eggs and to wade in rock pools and beaches carefree of urchins, on a metaphoric level, shoes are found at grassroot level of ancient religions, mythology and folklore.

“Cinderella,” is the modern name for a traditional fairytale known as “The Little Glass Slipper.” (CC BY-SA 2.0)

“Cinderella,” is the modern name for a traditional fairytale known as “The Little Glass Slipper.” ( CC BY-SA 2.0 )

Footwear Took Folkloric Figures Where They Boldly Needed To Go

The English word ‘shoe’ derives from the Old English scoh, which itself is from the Proto-Germanic skokhaz. Shoes, while not at first obvious, feature ubiquitously in ancient texts, sacred religious scriptures and within the compositional threads of world mythologies, fairy tales and folklore. The Magic Shoes  was a 1935 Australian short film based on the fairy tale  Cinderella, a timeworn story which according to folk historians Iona and Peter Opie there are at least 700 versions of the story, worldwide. However, what every single rendition of Cinderella shares in common, are magic shoes.

Essentially, shoes take a person on trips and journeys and the shoe as an archetype of voyaging is expressed in modern folklore where Dorothy’s ruby slippers acted as the catalyst for her hero's journey to Oz, and in Cinderella, where her glass slippers were the key to her changing her life and marrying a prince. The version of Cinderella read to children today originates from Walt Disney, and it tells of the heroine wearing glass slippers. The glass slippers worn by Lily James in the film are adorned with butterflies, which expand on the trip, extending the archetype even further than the older versions. However, in the version written by Charles Perrault in 1697 and published in his Tales of Mother Goose, the repressed young girl wore fur slippers.  It is believed the confusion arose because the French noun vait means ‘white fur’ and the French word for glass is verre, but there is no argument that the underlying theme associated with the shoes is fertility, and the erotic.

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Ashley Cowie  is a Scottish historian, author and documentary filmmaker presenting original perspectives on historical problems, in accessible and exciting ways. His books, articles and television shows explore lost cultures and kingdoms, ancient crafts and artifacts, symbols and architecture, myths and legends telling thought-provoking stories which together offer insights into our shared social history .   www.ashleycowie.com.

Top Image : Vincent van Gogh's Pair of Shoes was painted in June 1895 at Auvers-sur-Oise. ( Public Domain)

By Ashley Cowie

Comments

"enabled hunters to run in forests and jungles chasing fast moving prey"
Very, very funny!
A fast moving animal can move at least three times the speed of a human. So chasing it is a waste of time.

Cinderella's shoes were not "magical"

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