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Ancient Origins Tour IRAQ

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femme fatale

Painting by John Collier, "A glass of wine with Caesar Borgia," depicting Cesare Borgia, Lucrezia Borgia, Pope Alexander, and a young man holding an empty glass. The painting represents the popular view of the treacherous nature of the Borgias: the implication being that the young man cannot be sure that the wine is not poisoned. 		Source: John Collier / Public domain

Lucrezia Borgia: The Misunderstood Femme Fatale of the Renaissance

Women of the Middle Ages were often sadly lacking in rights. Across the world, this period was dominated by a patriarchal society, where the might and prowess of Lords, knights, Kings, warriors, and...
Representation of a historical femme fatale

Femme Fatale: The Ancient Sex Crafts of History’s Most Alluring Women

The seductress, or femme fatale (French for “Deadly Woman”), is one of the oldest female archetypes and although there has been great diversity in "how" she has been portrayed, she has some core...