Beaver's teeth 'used to carve the oldest wooden statue in the world’
Dating back 11,000 years - with a coded message left by ancient man from the Mesolithic Age - the Shigir Idol is almost three times as old as the Egyptian pyramids.
New scientific findings suggest that images and hieroglyphics on the wooden statue were carved with the jaw of a beaver, its teeth intact.
Originally dug out of a peat bog by gold miners in the Ural Mountains in 1890, the remarkable seven-faced Idol is now on display in a glass sarcophagus in a museum in Yekaterinburg.
Two years ago, German scientists dated the Idol as being 11,000 years old.
At a conference involving international experts held in the city this week, Professor Mikhail Zhilin said the wooden statue, originally 5.3 meters (17.4 ft) tall, was made of larch, with the basement and head carved using silicon faceted tools.
'The surface was polished with a fine-grained abrasive, after which the ornament was carved with a chisel,' said the expert.
'At least three were used, and they had different blade widths.
The faces were 'the last to be carved because apart from chisels, some very interesting tools - made of halves of beaver lower jaws - were used'.
He said: 'Beavers are created to carve trees. If you sharpen a beaver's cutter teeth, you will get an excellent tool that is very convenient for carving concave surfaces.'
'This is a masterpiece, carrying gigantic emotional value and force'. Pictures: The Siberian Times, Svetlana Savchenko
The professor has found such a 'tool' made from beaver jaw at another archeological site - Beregovaya 2, dating to the same period.
Studying the Idol, he believed the tool is consistent with its markings, 'for example when making holes more circular', said Svetlana Panina, head of the archaeology department at Sverdlovsk Regional Local History Museum.
The idol was put on a stone basement, not dug in the ground, said Zhilin.
It stood like this for around 50 years before falling into a pond, and was later covered in turf.
The peat preserved it as if in a time capsule.
It is a unique sculpture, there is nothing else in the world like this. Pictures: The Siberian Times
Zhilin, leading researcher of the Russian Academy of Sciences' Institute of Archeology, has spoken previously of his 'feeling of awe' when studying the Idol, more than twice as old as the Stonehenge monuments in England.
'This is a masterpiece, carrying gigantic emotional value and force,' he said.
'It is a unique sculpture, there is nothing else in the world like this. It is very alive, and very complicated at the same time.
'The ornament is covered with nothing but encrypted information. People were passing on knowledge with the help of the Idol.'
Only one of the seven faces is three dimensional.
While the messages remain 'an utter mystery to modern man', it was clear that its creators 'lived in total harmony with the world, had advanced intellectual development, and a complicated spiritual world', he said.
The Shigir Idol is almost three times as old as the Egyptian pyramids. Pictures: The Siberian Times
Top image: Two years ago, German scientists dated the Idol as being 11,000 years old. Picture: The Siberian Times
The article ‘ Beaver's teeth 'used to carve the oldest wooden statue in the world'’ originally appeared on The Siberian Times and has been republished with permission.
I don't think we will miss your being here. As a former scientist, I find the vast majority of the articles here to be well done.
I'm actually embarrassed for anyone to find out that I've subscribed to this site. A beaver jaw with all his teeth intact. This kind of Drivel is actually turned down by magazines at the supermarket checkout like "The National Enquirer" who say it's too far out for them
They are looking to decode the patterns. I tried that with an old wallpaper and failed too.
"...it was clear that its creators 'lived in total harmony with the world..." and precisely what are they basing this on?
It is interesting to consider if the pyramids were made about 15,000 years ago before the great flood, then this piece may have been made by survivors (or their near descendants) of the flood. If so it is interesting and depressing to see how much was lost.