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Ancient Origins Tour IRAQ

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Amarna

Amarna was one of the most fascinating and enigmatic periods in ancient Egyptian history. Amarna (or Akhetaten) was a city founded by the pharaoh Akhenaten in the 14th century BC, and it served as the  capital of Egypt during his reign.

What makes Amarna such a unique period in Egyptian history is that Akhenaten introduced a radical new religious and artistic style that diverged from the traditional polytheistic beliefs and artistic conventions of ancient Egypt. Akhenaten and his queen, Nefertiti, worshipped the sun god Aten as the supreme deity, and this new religion was  depicted in art with a distinctive, elongated style that was quite different from the traditional Egyptian art.

Amarna was a city built entirely from scratch, and it was designed to reflect the new artistic and religious ideas of Akhenaten. The city featured grand temples, palaces, and homes, as well as  tombs for the royal family and their courtiers.

Despite its relatively short lifespan (Akhenaten ruled from 1353-1336 BC), Amarna continues to capture the imagination of scholars and the general public alike. The art, religion, and culture of this period provide a unique window into the mind of one of ancient Egypt's most intriguing rulers.

Join us as we explore the history, art, and culture of Amarna, and delve into the mystery and intrigue of this fascinating  period in ancient Egyptian history.

Limestone trial piece showing the head of Nefertiti; and detail of the mummy of the Younger Lady; design by Anand Balaji (Photo credit: Osama Shukir Muhammed Amin and G. Elliot Smith); Deriv.

Bust of Contention: Controversy erupts as the Younger Lady is dubbed Nefertiti—Part I

Few ancient Egyptian royals are capable of garnering as much attention, generating frenzy, and stoking controversy globally as the legendary beauty Queen Nefertiti can. Despite having been a powerful...
Detail from one of the three surviving planks of Queen Tiye's wooden shrine from KV55; made of wood, gesso and gold leaf. Egyptian Museum, Cairo.

The Golden Shrine of Queen Tiye: Reburial of a Rebel Ruler and His Mother - Part II

When he came to the throne, Pharaoh Tutankhamun set about transporting the royal remains of his immediate ancestors from Amarna to Thebes. The inhabitants of the Sun City had also begun to slowly...
Scene from the decorated upper portion of the East wall in KV62 shows the mummified Tutankhamun lying supine within a tall, garland-bedecked shrine; design by Anand Balaji (Photo credit: Meretseger Books); Deriv.

Nefertiti and a Rush of Scans: Will the Beautiful One Arise in the King’s Valley? — Part II

After nearly a year of silence, the tomb of Tutankhamun in the Valley of the Kings is once again back in focus thanks to the Ministry of Antiquities granting permission to a team of Italian experts...
A relief originally from the tomb of Userhat (TT47) at Thebes depicts Queen Tiye. Brussels Royal Museum.

The Golden Shrine of Queen Tiye: When and How Did It Reach the Theban Necropolis? -Part I

Among the hundreds of ancient rock-cut royal sepulchers that have been discovered in Egypt one in particular, KV55, stands out for its infinite intrigue. At some point in time, this Eighteenth...
Detail from a replica of the small golden shrine found in KV62 that shows Ankhesenamun and Tutankhamun; design by Anand Balaji

Inching Closer to Ankhesenamun: Is the Last Sun Queen Set to be Found? — Part II

The probable marriage of Ankhesenamun, the widow of Pharaoh Tutankhamun, to the aged vizier Aye before she vanished from the records paved the way for the old family retainer to ascend the throne of...
Detail of goddess Mut with likeness of Ankhesenamun; design by Anand Balaji

Inching Closer to Ankhesenamun: Unraveling the Radiant Child of Amarna—Part I

Ever since the discovery of KV62, the treasure-filled sepulcher of Tutankhamun, in 1922 – and even before that in 1907 when the mysterious Tomb 55 came to light – Amarna royals have always managed to...
Ancient Egyptian relief. Design by Anand Balaji. (Image credit: Julian Tuffs);Deriv.

Amarna Era Chronological Conundrum: Accession of Neferneferuaten and Tutankhamun’s Death–Part II

With only an Amarna wine jar label from Regnal Year 17 – purported to be the last dated inscription from his reign – that makes no mention of Akhenaten by name, and the generous 59 years’ rule...
Ancient Egyptian relief. Design by Anand Balaji.

Amarna Era Chronological Conundrum: Dating Akhenaten’s Death and the Length of Horemheb’s Reign–Part I

When the Nineteenth Dynasty Pharaoh Menmaatre Seti I drew up the famed King List at his mortuary temple in the holy city of Abydos, he was confident that he had struck the final nail in the coffin of...
Ancient Egyptian painted relief showing foot and toes. Design by Anand Balaji.

Game of Toes in Amarna: Missing Body Parts and Funerary Practices of King and Commoner

Pharaoh Akhenaten was the subject of great controversy when he lived; and this did not cease after he died. If anything, his memory has both troubled and impressed people down to this day. Be it his...
Ancient Egyptian relief. Design by Anand Balaji.

Understanding the Monotheism of Akhenaten: Solar Disc Thrust into Eternal Darkness–Part II

At first glance it appears as though Pharaoh Akhenaten is someone whom one would describe as a textbook monotheist, but are we missing the plot? Apart from Amun (and later, Osiris) the king doesn’t...
A bust of Pharaoh Akhenaten. Design by Anand Balaji.

Understanding the Monotheism of Akhenaten: Decay of a Dream and the Final Curtain Call–Part I

Pharaoh Akhenaten has been revered and reviled in equal measure for unleashing his religious policy of one god, the Aten sun disc. But, was the king a monotheist in letter and spirit – one who...
Collage of Egyptian art, design by Anand Balaji.

Amarna in 3 Acts: Defining Vignettes from an Incomparable Era

Three important aspects, in many ways, defined and shaped the Akhetaten years and the post-Amarna period. His detractors in the new disposition erased Pharaoh Akhenaten’s memory in great haste—an...
his head of indurated limestone is a fragment from a group statue that represented Amun seated on a throne, and Tutankhamun standing or kneeling in front of him. Metropolitan Museum of Art, New York

The Hunt for Ankhesenamun: A Murderess, Vixen or Helpless Child in this Ancient Egyptian Soap Opera? Part II

Ankhesenamun, wife of the boy-king Tutankhamun , is portrayed in many ways; as a terrified and hapless youngster; a power-hungry murderess; or a loathsome vixen who will stop at nothing to achieve...
Collection of Egyptian Art, design by Anand Balaji (Photo credits: Heidi Kontkanen, Oliviero Piccinali, and Julian Tuffs); Deriv.

Akhenaten: Imperishable Art of an Iconoclast: Age of Extravagance in Amarna—Part II

The monuments Akhenaten constructed were no less impressive than those of his father, Amenhotep III. But all his buildings were dismantled and destroyed during the Amarna backlash—including the city...
Collection of Egyptian Art, design by Anand Balaji

Akhenaten: Imperishable Art of an Iconoclast: Creativity Blossoms in the Desert—Part I

Never before had a pharaoh ushered daring, almost bizarre and inconceivable transformations in religion and statecraft as Akhenaten did. Not only did he oust the pantheon of traditional gods and...
Collection of Egyptian Art, design by Anand Balaji (Photo credits: Rijksmuseum van Oudheden/CC BY-SA 4.0, Leiden; Dr Chris Naunton, Heidi Kontkanen and A. K. Moyls); Deriv.

The Many Mysteries of Maya: Faith, Labor and Love for the Motherland–Part II

The sudden and unfortunate death of Tutankhamun created an unprecedented power vacuum that had to be filled swiftly, if order was to be maintained in the Egyptian state. It is probable that a tussle...
Collection of Egyptian Art, design by Anand Balaji

The Many Mysteries of Maya: On the Trail of Tutankhamun’s Valued Courtier–Part I

The Amarna Period brought to fore many interesting personages, especially from the ruling disposition. While éminence grise Aye and the generalissimo Horemheb became pharaohs after the death of...
Collection of Egyptian Art, design by Anand Balaji

Unraveling Tutankhamun’s Final Secret: Enigmatic Sarcophagus the Key to Proof of a Double Burial? – Part II

The sarcophagus in which Tutankhamun was interred upon his untimely demise in the confines of his tomb has for long puzzled Egyptologists. The existence of anomalies on its surface is perplexing...
Collection of Egyptian Art, design by Anand Balaji

Unraveling Tutankhamun’s Final Secret: Cloak of Mysteries Reside in a Sepulchral Masterpiece–Part I

Are we poised to discover an Amarna royal in a hitherto unimagined location that will rewrite history — or will this be the final nail in the coffin for the ‘double burial’ theory? It is quite...
Collection of Egyptian Art, design by Anand Balaji

The Magic, Mystery and Madness of Tomb 55: Shadowy Sovereigns and Risky Reburials–Part IV

The German Egyptologist Walther Wolf was unsparing in his description of Akhenaten, calling him a man who epitomized “sick ugliness and nervous decadence”. The greatest irony of the entire Amarna...
Collection of Egyptian Art, design by Anand Balaji; Deriv.

The Magic, Mystery and Madness of Tomb 55: Resurrecting the Rebel Ruler–Part III

Akhenaten’s short-lived capital, Amarna, was the epicenter of the unpalatable religious changes that pharaoh had unleashed on his country. The ensuing tumult which pervaded Egypt during this dark...
Collage of Egyptian Art, design by Anand Balaji; Deriv.

The Magic, Mystery and Madness of Tomb 55: Saga of a Botched Excavation–Part II

The entire Amarna epoch and those who strutted upon its stage have always presented a conundrum for Egyptologists. In early 1907, one of the most valuable finds – Tomb 55 – promised to finally lift...
The Dakhamunzu Chronicles: Fate of Queen and Country —Part II

The Dakhamunzu Chronicles: Fate of Queen and Country —Part II

Despite the desperate attempts that were made by a queen of Egypt, with the best intentions at heart; the audacious move to invite a foreigner to marry her and take the throne spelled her doom. It...
: Portraits of Akhenaten and Nefertiti from the workshop of Thutmose, the royal sculptor. Tell el-Amarna. Neues Museum, Berlin. (Photo: Heidi Kontkanen)

The Dakhamunzu Chronicles: End Game of the Sun Kings—Part I

The history of the dying days of the Eighteenth Dynasty remains shrouded in mystery. The late Amarna succession and its aftermath remain an unsolved conundrum. Out of the mist of this perplexity...

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