Swordmaker, Instructed in Dreams, Recreates Infallible Sacred Swords of Legend

Swordmaker, Instructed in Dreams, Recreates Infallible Sacred Swords of Legend

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By Matthew Robertson , Epoch Times 

Chinese legends tell of a kind of infallible sacred sword, forged from meteorite material, that gave its bearer an apparently supernatural advantage over his opponents. The creation of such a sword seems beyond the capabilities of ancient technology, but modern sword-maker Chen Shih-Tsung has revived the art successfully—guided, he says, by instructions imparted to him by celestial beings.

While Chen Shih-Tsung sits on the couch of his apartment in the south of Taipei, tens of thousands of dollars of high-alloy steel sit on the wooden racks behind him, each one his own creation. He’s the only person on the planet who makes swords like that.

Chen is famous in the Chinese-speaking martial arts world. Growing up on martial arts novels, the Chinese equivalent of knight errantry, he slowly developed the wish to become a real-live sword maker. It took eight years and an enormous sum of money for Chen to realize his dream. He is the first person in modern times to recreate the kind of swords that are thought to have been used in ancient China, and is now passing the art to his sons.

At over 60 years old, tall, lanky, and animated, Chen sits on the edge of his couch, gesticulating and explaining his life spent pursuing the legends passed down through martial arts novels.

Chen demonstrates how he grinds the steel bars into swords in his workshop. It is a long and arduous process. The slightest of errors can ruin the blade, which would otherwise fetch thousands of dollars.
Chen demonstrates how he grinds the steel bars into swords in his workshop. It is a long and arduous process. The slightest of errors can ruin the blade, which would otherwise fetch thousands of dollars. (Matthew Robertson/The Epoch Times)

A Mystical Search

Chen spent long years working at a used car dealership, quietly amassing a fortune. At the same time he was reading voraciously and travelling extensively in search of the swordsman’s tradition. Legends speak of buried manuals detailing the construction of infallible sacred swords. Going throughout Taiwan and then China, he found nothing too specific; the communists burned many of the books documenting such traditions during the Cultural Revolution. Nevertheless, he learned much generally, and as the years went by, he slowly began experimenting with sword-making himself.

Listening to Chen’s story is like entering one of the martial novels he used to read. At some point during his travels he discovered that ancient swords were all smelted from meteorites—doing so now is impossible, since not enough fall as thousands of years ago, and modern man doesn’t know how the ancients turned them into swords anyway. He also says the swords he makes are imbued with special powers, and that he was first taught how to make them from celestial beings who visited him in his dreams. The first entry in the book he wrote is, “Words from the Purple Hermit of Hao Yuan Celestial School.” The Purple Hermit regards the process of casting swords as one that can “startle the universe and move the gods.” Only masters can unlock the magic powers hidden within them, the Hermit writes.

Before he succeeded with his first sword, Chen had an extremely vivid dream. Lights, deities, and celestial beings unfolded before his eyes in a display of brilliance. They communicated with him wordlessly, showing him how to make the swords. That wasn’t to be the first time he had such visions, either. Deities have appeared by his side and given him instruction while he was in his workshop. But he is reticent to describe the scenes further; most modern people won’t believe it, he said.

Unlike the swordsmiths of feudal China, Chen’s output is considerable. He’ll usually make ten swords in one go, because while one is cooling he’ll move to the next. When the steel of one blade gets too hot from the grinding wheel, he’ll move on to the next blade.

It takes a special combination of high-quality steels to make the swords that Chen needs. They need to be extremely strong—at least 58, but up to 65 on the Rockwell Hard Scale. The Rockwell Hard Scale is a common way of measuring the hardness of metals, developed in the United States in the early 20th century. A regular chisel or axe may be between 40 to 45, which gives an idea of how hard Chen’s swords are. They can split rocks in half.

The prohibitive cost of raw materials and producing the bars are some of the factors that make Chen the only caster of such swords. Other swordsmiths may make their works by manually heating materials and then hammering them into shape, either by hand or with the help of a machine. They grind them later, but swords made through this method are no match for what Chen produces.

Comments

How Mr Chen rubs the pores out of the sword with cloth is great advice.. When I blend grind things I either weld artistically or repair machinery using welding. Grinding is a skill that takes experience.

Troy Mobley

A great sword needs a great sword form:
https://www.youtube.com/watch?v=AGzBITVQVEE

I'm glad you linked that sword form video. Steel is heavy and the way he gracefully maneuver s the sword, is nothing short than amazing.

Troy Mobley

"That wasn’t to be the first time he had such visions" -- were there multiple first times??? Very sloppy editing.

probably how the Ulfberht swords were made

The man may very well make Swords, But Every other thing portrayed as "fact" in this article is false.All of it.

The author goes to great length to wax poetic about absolute nonsense. Cast metal is always inferior to forged and all the mumbo-jumbo and spiritual visitations in the world won't change that, Then rubbing will melt the lower temperature aluminum in the steel and seal the pores? Really? Even a few minutes with Wikipedia will tell you that corrosion is caused by electrolytic action between areas of differing ionic potential in the metal.
Some folks are just plain gullible.

How do you know that the cloth was not a muslim cloth on a grinding wheel. And another thing to test out. Grinding does get vey hot. a good experiment, grind something for ten minutes straight and see if you can still carry that peice without gloves. Or better yet lay it out on a cotton shirt. Friction, the idea is to get out the grinding marks to make a clean surface without holes.

 

Troy Mobley

No matter what the swords can or cant do point is he is using old techniques to make swords. This is considered experimental archeology. I also understand you do metalwork too. I do alot of metal work and the most important thing I learned is that you cant know everything. and we all started somewhere. you cant tell me honestly that metal working isn’t trial and error. I think what he is doing is great. He is using a very old grinder.,,

 

Troy Mobley

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