A Pilgrimage of Thought: Dante Treks through the Inferno of Satan
At the beginning of Inferno, the first section of the Divine Comedy , Dante Alighieri is thirty-five years old in the year 1300—representing both the new millennium and the believed midway point of a man's life. The Dante of the text finds himself lost in a dark forest, surrounded by three beasts symbolically representing the obstacles he is not yet able to overcome in the "real" world. From the darkness, Dante is found by the Roman poet Virgil, author of the Roman epic The Aeneid , who himself is saved from living within the deepest strata of Hell because he lived before God and Christ were known. With Virgil, Dante is given permission and temporary access to the nine circles of Hell.
Abandon all hope, ye who enter here
"Abandon all hope, ye who enter here." Intended to stir up the darkest forms of fear within souls of those visiting the underworld, this foreboding warning that greets Dante and Virgil does not sway them on their pilgrimage through Hell. Though foolhardy, Dante follows Virgil faithfully under the dark omen and immediately finds himself on the shores of the Acheron River, used in the Greek mythos to take the dead to their afterlife.
Before attending the boat awaiting them, however, Dante is first met with the souls who did nothing of virtue and nothing criminal in their lives. Those who refused to take sides in the Rebellion of Angels dwell here as well, all unable to be given a fate as no offence was committed other than negligence.
Dante and Virgil on the boat in hell (1822), Eugene Delacroix ( Wikimedia Commons )
The First Circle: Limbo
The first circle that Dante and his guide pass into is that of Limbo, the land from which Virgil and his contemporaries and predecessors hail, as well as those who died unbaptized and the pagans who lived as good people though they did not accept the Christian faith.
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The belief was that one cannot be punished in the darkest corners of the underworld for blasphemy when Christianity was not yet known. Within the circle remained some of the greatest men and women of the ancient world—Homer, the early physician Hippocrates, Queen Penthesilea of the Amazons, Caesar, and so on, as well as mythologized characters such as the players in the Trojan War.
Dante is accepted as an equal by the great Greek and Roman poets (1857) Gustave Doré ( Wikimedia Commons )
The Punishments for Lust, Gluttony, Greed, and Anger
The next circle of Hell holds those inflicted with the sin of lust and are the first beings Dante witnesses as truly punishable. The souls lost here—such as Paris of Troy, Tristan lover of Isolde from the court of King Arthur, and Cleopatra—must endure being constantly blown back and forth by a violent wind, as constant and waning as the flickering light of a burning candle.
The Lovers' Whirlwind (1824/1827), William Blake ( Wikimedia Commons )
Following the first sinners are the gluttonous who are forced to lie in a disgusting combination of mud, sleet, and other unknown substances representing the despicableness of their overindulgence.
The greedy are punished next, an amalgamation of clergymen and bankers who are forever weighed down by the weight of their massive amounts of money while being perpetually rained on by filth and feces.
Dante's Inferno, Canto 6 (1587), Stradanus ( Wikimedia Commons )
In Dante's interpretation of gluttons, he widens the parameters of the greedy to encompass not only those with insatiable biological appetites but also those who desire wealth to an unattainable degree.
The angry must forever fight amongst themselves in a stone jousting match within the river Styx, another river borrowed from Greek mythology that is known as the place upon which the gods swear unbreakable oaths.
The Heretics, Violent, and Frauds
The last four circles of Hell are contained within a city called Dis, called such for the Roman god of the underworld—the same as Pluto, but referred to as such in The Aeneid. Fallen angels and the Furies guard this internal city, preventing all from leaving and any from entering.
It is only with the help of the angels that Dante is allowed entrance at all. Upon entering the sixth circle, the heretics are the first Dante sees, locked within fiery tombs holding those who were both convicted for their crimes in life as in death.