Roman Gladiators Were War Prisoners and Criminals, Not Sporting Heroes
For centuries, the bloody gladiator conflicts that the Romans staged in amphitheatres throughout the empire have engrossed and repelled us. When it comes to gladiators, it is almost impossible to look away. But the arena is also the place where the Romans feel most foreign to us.
The gladiator was the product of a unique environment. He can exist only within a very particular set of religious, social, legal, political and economic circumstances. It is not surprising that this is a form of spectacle we have not seen either before or since the Romans. To acknowledge this is also to acknowledge that they are only ever going to be partially comprehensible to us.
Sadly, this is not a view shared by the Queensland Museum, which last week opened its new exhibition, Gladiators: Heroes of the Colosseum . The exhibition brings together 117 objects from Italian museums, most notably the collection of the Colosseum at Rome. Highlights include some extremely well preserved and intricately decorated gladiatorial helmets and pieces of armour from Pompeii, as well as some very fine carved reliefs depicting scenes of combat.
Yet, while the quality of the individual objects is without question and certainly worth the price of admission alone, the intellectual framework of the exhibition is far more problematic.
This is not an exhibition that is plagued by doubts or uncertainties. It firmly knows who gladiators were and what they stood for – gladiators, the opening panel of the exhibition proclaims, were the “elite athletes” of the ancient world. The antique equivalent of today’s fighters in the popular sport MMA, if you like.
The Colosseum in Rome. Source: BigStockPhotos
Sporting analogies pepper the exhibition. Spectators are routinely referred to as “fans” and the catalogue promises that this is an exhibition that “touches on many issues that have parallels with modern day sport and sporting culture”.
At times, the exhibition also feels like it has taken its cues from contemporary videogame culture. The special weapons of the various types of gladiators are spelled out and visitors are invited to contemplate who would win between a gladiator fighting with a net (known as a retarius to the Romans) and one heavily armed ( secutor). A videogame spinoff from the exhibition is easy to imagine.
This mosaic depicts some of the entertainments that would have been offered at the games. Tripoli, Libya, first century. (Public Domain)
Rogues not heroes
Gladiatorial combat was certainly popular among the Romans. Evidence for gladiators is found in every province of the Roman Empire.
These fights initially began as contests of matched pairs as part of funeral rites honouring the dead. However, over time their popularity grew. By the time of the Roman Empire, hundreds of gladiators might be involved in spectacles that could last as long as 100 days.
These games were never just displays of gladiatorial fighting. At their most elaborate they involved beast hunts with exotic animals, the execution of criminals, naval battles staged in flooded arenas, musical entertainments and dances.
The Queensland Museum is not the first to try to understand gladiators as sporting heroes. However, it is an analogy that causes more problems than it solves.
The vast majority of gladiators were either prisoners of war or criminals sentenced to death. Gladiators were the lowest of the low; violent murderers, thieves and arsonists. Even your most badly-behaved football team at their most morally blind would have had no trouble in rejecting this crew.
Gladiators in Rome were regarded as fundamentally untrustworthy and outside of legal protection. It is more useful to think of gladiators as prisoners on death row than as David Beckham with a net and trident. The section in the exhibition where children are encouraged to dress up as gladiators would have appalled any respectable Roman parent (that said, it’s great fun).
Were they really the heroes they are made out to be? Dramatic painting portraying gladiators in the arena. Jean-Léon Gérôme's 1872. Public Domain.
The Queensland Museum can’t escape the lowly, servile and criminal origins of the gladiators, but it does attempt to moderate our opinion of them by suggesting that some free citizens wilfully chose to be gladiators in search of “eternal fame and glory”. In fact, the evidence of such citizen gladiators is extremely slim. It was almost certainly extreme desperation that forced them into the arena rather than a desire to be remembered by posterity.
At another point, the exhibition suggests that the crowd saw reflected in gladiators the virtues of the soldiers who guarded the empire. Such talk would have had any self-respecting Roman legionary reaching for his short sword.