Blood on the Shroud: An Interview with the Blood Investigator of the Shroud of Turin Research Project
We would like to do further tests to clarify that the blood is blood! And the kinds of abnormalities that support some of the forensics. There are a lot of things that we would like to do in a second round of testing. One, of course, is to also date the cloth! All these things in the long run will help us establish that it is not a forgery.
You see one of the things we can't prove is that it’s authentic! Not by Science...You don't have any tests for authenticity, we only have tests for dis-authenticity! If we keep doing all these tests and we don't prove that it is dis-authentic...then it is up to the historians, the theologians, the anthropology and the archaeology types to decide what they want to do with the data. Because clearly the scientific data will not be inconsistent with in fact this being Christ's burial shroud. That's the best that science can ever say!
PJS) I Spoke with Dr Walter McCrone and he was quite sure that paint pigment was only to be found on the actual image itself?
A) Well we disagree! Apparently, you see, the spectroscopy was done, the ultraviolet and the infrared spectroscopy, which was done on the whole cloth not just looking at a sample from it. I'm not in agreement with that and he has never answered that point. You know you just can't just throw away other people’s data because you don't agree with it! In fact, we have shown why we think our data is different from his. We have shown why we think his interpretations are not correct. He has never done us the courtesy of doing the same. He has not shown why our measurements would be in error - he just says we did it wrong...that's not science, I'm sorry.
Full length negatives of the Shroud of Turin. ( Public Domain )
PJS) If the carbon dating process shows the cloth to be relatively recent, where do we go from there?
A) Well then clearly it is not Christ's cloth! And then maybe people will let us preform the kind of tests we can do to find out what it is really all about. You see, the fact that it might be a real religious artifact means we have been very limited in the amount of study time and the things we have been able to do. If it can be definitely established that it isn't, there still remains the intriguing problem, no matter whose cloth it is - how did that image get on there?
In our opinion it is NOT A PAINTING! We'd like to find out what is it and how did it happen. Because that will remain a scientific problem no matter whose cloth it is…It is very interesting!
Exerpt from The British Shroud Reserch publication on Dr. Alan Adler who passed on June 10th, 2000
“Of Jewish parentage, Alan Adler has been on the Shroud scene since the late 1970s.
His introduction to it came from the late Dr. John Heller who asked him, as a physical
chemist and specialist in porphyrins, to help him study the sticky tape samples of the
Shroud image that the STURP team had brought back with them from Turin. At that
time Heller and the STURP team were in some disarray from Dr. Walter McCrone
having dismissed the Shroud's image as just artist's pigment. When Heller first told
him that the sticky tapes were from the Shroud of Turin, Adler's reported response
was 'The what of where?' - all too typical of him, as those of us who knew him are well
"He was 69 and up to his retirement Professor of Chemistry at West Connecticut State University, where he taught for many years. The cause of his death was a cerebral hemorrhage. No other single figure on the Shroud scene had Alan's huge grasp of the scientific complexities of the subject. The full ramifications of his loss have yet to be realized. ”
Dr Peter Shield is the author of “ The Maltese Shroud ”, which is available on Amazon