Some of the many paintings inside the Laas Geel caves, near Hargeisa in Somaliland, Somalia.

Laas Geel Complex and The Magnificent Ancient Rock Art of Somalia

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Thousands of years ago, humans from the Neolithic age, decorated the walls of rock shelters with paintings of animals and humans at a site called Laas Geel in present day Somalia.  Their work would last 5,000 years and would one day attract the attention of the 21st century.  The caves provide a glimpse into the little known history of this part of the world.  Even with the history of political instability, war, natural weathering, and other factors, the paintings have survived intact, retaining their clear outlines and vibrant colors.  They are thought to be among the best and oldest preserved rock paintings in Africa.

Laas Geel, meaning ‘source of water for camels’, is a complex of rock shelters and caves located 55 kilometers (34 miles) northeast of Hargeisa, the capital of Somaliland, an autonomous region of war-torn Somalia.  In an area encompassing a nomadic village, the Naasa Hablood hills, the site overlooks a wide district of countryside, where nomads graze their livestock and human settlement is sparse.  Much of Somalia is now comprised of vast badlands and the parched Laas Geel region no longer draws herds of cattle coming to graze and water.  The complex is located near a confluence of two dry rivers, which lends credence to its name.  Locals knew of the place for centuries but avoided it due to what they believed to be the haunt of demons and evil spirits. 

Depiction of a herd of cattle at Laas Geel

Depiction of a herd of cattle at Laas Geel ( Wikimedia Commons )

In November and December 2002, an archaeological survey was carried out by a French team in Somalia to search for rock shelters and caves containing stratified archaeological infills. On December 4, French archaeologist Xavier Gutherz from Paul Valery University, and his team ‘discovered’ the Laas Geel caves and spectacular paintings scattered among ten rock alcoves.  In November 2003, a mission returned to Laas Geel and a team of experts undertook a detailed study of the paintings and their prehistoric context.

Laas Geel rock shelter near Hargeisa, northern Somalia, known for containing Neolithic rock art. Photo by Najeeb, 2005.

Laas Geel rock shelter near Hargeisa, northern Somalia, known for containing Neolithic rock art. Photo by Najeeb, 2005. ( Wikimedia Commons )

As is the case with rock art sites, the dating remains a problem even at Laas Geel as the only thing it is based on seems to be small fragments of pigments found in layers believed to date to 3500-2500 BC.  There is not a single ceramic segment found at Laas Geel’s Shelter 7, which is the only excavated shelter and upon which the dating estimation is based on.  Little is known about the civilization at the time and which painting techniques were used to create the rock art, and some scholars believe the paintings could be anywhere from 5,000 to 11,000 years old.

The complex is comprised of approximately 20 shelters or rock caves made of naturally occurring rock formations of varying size, the largest being ten meters long with a depth of about 5 meters.  These shelters feature polychrome (multi-colored) painted panels that are considered to be the oldest known rock art in the Horn of Africa, a peninsula in Northeast Africa.  Shelter 1 is one of the most important shelters at Laas Geel due to the richness of variations and composition of its rock art.  The size of this shelter is 170 m2, with a ceiling that is completely covered with paintings and is considered the artistic and creative center of the complex.

One of the Laas Geel alcoves

One of the Laas Geel alcoves ( Wikimedia Commons )

It is estimated that there are 350 animal and human representations, as well as numerous tribal marks among the rock art at Laas Geel.  Some of the cave paintings are stunningly well preserved as they have been sheltered from the elements by the granite overhangs.  Others have faded due to rock degradation and the effects of weathering and erosion.  The caves house a constellation of brown, orange, white and red pre-historic sketches on the walls and ceiling.  The paintings depict mostly animals, including cows and dogs, but they also show humans.  Lesser animals depicted in the artwork include monkeys, antelope, giraffes and possibly jackals or hyenas.  The herders and wild animals point to the interglacial period when the now arid Horn of Africa region was lush and green, and home to many wild animals.

Detail of the Laas Geel cave paintings near Hargeysa, Somaliland/Somalia, showing a cow. This cow has a straight back and unique head and horns.

Detail of the Laas Geel cave paintings near Hargeysa, Somaliland/Somalia, showing a cow. This cow has a straight back and unique head and horns. Photo by: Najeeb, 2005.  ( Wikimedia Commons )

Comments

Which is the ancient site means 2500-2000 years old or older sites like rock cut caves, ancient temples or ruins etc. Not necessarily prehistoric but ancient. Thx.

I'm surprised that this site is still intact. What with the IS bulldozing everything ancient that their terrorists come near (and those that they don't come near as well), you would expect that the Somali government would do the same and destroy this site.

Archaeologists had better do something to preserve this site now before it's too late. Maybe it already is, since this story has been posted.

Many years ago I came across an article about extremely large rough cut stones/boulders that were either in a large mound or a filled in valley.
I remember that it was supposed to be cursed and fairly impenetrable, those that tried to wiggle through never came out.
There was a picture, but I cannot remember where it was I'm thinking Eastern Europe/Russia. The article stated it was very ancient and was constructed to keep people out.
Any help is truly appreciated, thank you.

My partner calls me outside to look at the Dragon in the sky. She often sees all sorts of ‘animals’ in the clouds but upon pointing them out to me I can't see that which she sees.

The same applies to these cow pictures, I do not see cows and neither can anybody else. What we are looking at is that which our current cultural paradigm allow us to see. The closest approximation to some thing which we know.

I suggest that the symbols might be a depiction for the age of Taurus, perhaps.

 

 

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